Hans Rabanser:
Sculpture "Lying Act", version in artificial marble


Hans Rabanser:
Sculpture "Lying Act", version in artificial marble


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Ars mundi exclusive edition | Limited, 499 exemplars | Serially numbered| Signed | Version in artificial marble | Patinated | format 37 x 10 x 9 cm (W/H/D) | weight ca. 3.5 kg.


Hans Rabanser: Sculpture "Lying Act", version in artificial marble

Hans Rabanser is a wood carver; as such, he has a very close relationship to his "Material": the shape of his sculptures, the movements and positions he can reproduce are not least related to the structure and characteristics of the wood piece he has. For the first time, now one of his wood objects appears in artificial marble, a totally new artistic experience for him.

Edition in white artificial marble. Cast stone, hand-patinated. Limited edition, 499 exemplars, serially numbered and signed. Format 37 x 10 x 9 cm (W/H/D). Weight ca. 3.5 kg. Exclusively at ars mundi.

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Portrait of the artist Hans RabanserHans National Winner, born in 1948 in South Tyrol Val Gardena - South Tyrol, turned after a 30-year career as a photographer of woodcarving. He works as a freelance artist, his work has been in exhibitions from Munich via Cologne to the Kenyan Malindi.

Rabanser works primarily in the great outdoors, he finds the inspiration and peace for his sculptures. "My sculptures are created spontaneously - depending on how the tree is grown and shaped ", says Hans Rabanser. The result will be a unique shape, a sensory experience to make his sculptures. From around tree trunks carved Rabanser breath-taking torsos. Intensive he edited the material, up from the hard wood a fine surface. The grain of the wood, as well as the original bark received in some sculptures give each Torso something quite special. Rabanser sees his works explicitly as a "Seduction" of the beholder - and more than that, he urges him, to feel the smooth forms with the fingertips. So will a "sensual" experience in multiple sense from them that beauty is not only a matter of the eye.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

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