Olaf Teichmann:
Sculpture "Cassandra", bronze


Olaf Teichmann:
Sculpture "Cassandra", bronze


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Limited, 199 exemplars | serially numbered | signed | bronze | patinated | format 28.5 x 19 x 16 cm (W/H/D) | weight 2.6 kg


Olaf Teichmann: Sculpture "Cassandra", bronze

Cassandra got from Apollo the gift of divination. However, she turned him down. Then, Apollo cursed the gift of divination. Nobody should believe anymore her previsions. Thus, Troy was lost. The sculptor Olaf Teichmann creates a plain memorial dedicated to this historic feeling, focusing on the male-female traits of the figure. She covers her eyes, as rejecting her gift. A woman who, despite her fate, knows who she is and what she can.

Sculpture of fine bronze, cast using the lost wax technique, hand--patinated. Limited world edition, 199 exemplars, serially numbered and signed. Format 28.5 x 19 x 16 cm. Weight 2.6 kg.

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Essentially precise in unimportant idealistic and generous, which characterizes the sculptures by the Leipzig Olaf Teichmann. The sculptor who studied at the Academy of Visual Arts Leipzig, gives an empathic timelessness that touches exactly to the point his figurative works in plaster, bronze, stone or steel.

An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

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Sand casting

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

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