Auguste Renoir:
Painting "Path through the Meadows" (1876/77) in a model frame


Auguste Renoir:
Painting "Path through the Meadows" (1876/77) in a model frame

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Limited, 980 exemplars | Serially numbered by hand | Signature | Embossing punch | Collotype on cardboard | Model frame | Passe-partout | Format 74.2 x 64.2 cm

Auguste Renoir: Painting "Path through the Meadows" (1876/77) in a model frame

With unequalled vividness, Renoir retains the spirit of the moment: the effect of sunny air on the grasses and bushes, the warm and cheerfulness of the summer with an ebullient colorfulness ...
Original: Oil on canvas, Louvre, Paris.

Collotype in 12 colors on 280 g uncoated cardboard. The sensitive facsimile technique allows very limited editions only, and it is mastered today by only a few workshops around the world. One of them is the collotype workshop in Dresden, which is working for over 100 years the collotype equipment of the museum workshop. Limited world edition of 980 exemplars, serially numbered by hand and with artist’s signature and the embossing punch of the collotype workshop. Sheet format 70 x 60 cm. Framed in a model frame.

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Renoir was born in 1841 in Limoges and his works are characterized by his indestructible belief in the life-giving power of nature. The bright colours of its landscapes, the sensual grace of the images of women and young girls with her light laughter witness.

First, Renoir worked as a porcelain painter and studied at the Louvre of Antoine Watteau and François Boucher. In 1862 he began studying at the École of des Beaux Arts to the end of the 60s under the influence of the Barbizon School of plein-air painting. As well as Claude Monet, he developed the Impressionism characteristic loose brush style, with the ever-changing in the light colours. In addition to the landscapes, also portraits emerged by his painter friends and his favorite model Lise Tréhot. In the summer of 1869 he made a series of paintings of the restaurant "La Grenoullière", where he frequently visited with Monet. These light-filled images illustrate particularly clearly his distinctive style of volatile brushstrokes and delicate, bright colours, which can hold the flickering of the air and the sparkle of the water.

Renoir also expressed again with muted tonality and denser brush dealing with works by Courbet and Delacroix. His late work demonstrates tremendous colour power and combined with graphic elements which can be anything, suspecting from his severe rheumatic disease, especially of the hands. With the help of a student of the sculptor Maillol created during this period some bronze sculptures.

The most important painter and printmaker of Impressionism died as an internationally recognized artist on 03.12.1919 in Cagnes-sur-Mer.