Garden sculpture "Owl" (edition with granite stone)

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Garden sculpture "Owl" (edition with granite stone)

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https://www.arsmundi.com/en/owl-garden-sculpture-801790.html
$ 1.013,93 (890,00 EUR)

incl. VAT plus Shipping

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Order-nr. IN-801790
delivery time: approx. 2 weeks

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Bronze on granite stone | Size (Owl) 30 x 30 x 15 cm (W / H / D) Weight 4 kg | Granite stone: height approx. 50 cm | Total weight 60 kg

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Garden sculpture "Owl" (edition with granite stone)

A feathered friend should be in every garden. Magnificent owl-bronze sculpture, which acts lingering even more impressive on a granite stone.

Owl Sculpture: Size approx. 30 x 30 x 15 cm (W / H / D) Weight 4 kg.

Size with granite stone: 30 x 80 x 30 cm (W / H / D), weight 60 kg. Since this is where stone is a natural product, there may be deviations in shape, colour and weight.

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An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting