Romero Britto:
Porcelain sculpture "Hug Too", hand-painted


Romero Britto:
Porcelain sculpture "Hug Too", hand-painted

$ 729,12 (640,00 EUR)

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Order-nr. IN-774164
delivery time: approx. 2 weeks

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Limited, 1.000 exemplars | Serially numbered | Signed | Certificate | Porcelain | Hand-painted | Format 43 x 46 x 17 cm

Romero Britto: Porcelain sculpture "Hug Too", hand-painted

Vitality, optimism and colorfulness are the characteristics of the Brazilian-born artist Romero Britto. The sculpture with his famous theme "Hug Too" is made of finest porcelain in the traditional workshop Goebel. Each sculpture is a hand-painted unique piece. Limited to 1000 exemplars, serially numbered and signed, with certificate. Format 43 x 46 x 17 cm.

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Romero Britto: always sunny in the heart.

With its multi-colored cheerful pictures and sculptures the Brazilian artist, born in 1963, filled the lives of many of his collectors with joy and hope. Celebrities such as Steffi Graf and Andre Agassi may be included in the list of Romero Britto’s customers, as well as actors and the Kennedy clan or Barack Obama. No wonder, that the works of the pop art artist are directly connected with the pioneers of this style, like Roy Lichtenstein and Andy Warhol.

Pop art developed in the early 60s as a counterpoint to the abstract expressionism of the postwar period and made use of elements of everyday life and the simple language of comics. The everyday life objects are collected into artworks.

With black-framed color surfaces Romero Britto stylized image subjects to precise figures which live without illusion of depth or plasticity by its colourfulness and direct appeal to the emotions of the viewer. He designed color surfaces with geometrical patterns such as lines, circles and hatchings. So they retained the characteristics of a comic strip and told every viewer phantastic stories.

Today Britto’s works are sold for more than EUR 10,000.

(This video is special collaboration work with Britto and LG Electronics)

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

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