Sybille de Braak:
Female Torso


Sybille de Braak:
Female Torso

$ 2.483,57 (2.180,00 EUR)

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Order-nr. IN-349569
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ars mundi Exclusive Edition | Limited, 199 Copies | Numbered | Signed | Hallmarked | Artificial Marble + Diabase | Handmade | Total Height 78 cm

Sybille de Braak: Female Torso

ars mundi exclusively limited edition world wide of 298, numbered, signed, punched with foundry stamp, white bonded marble, diabas base, limited edition of 199, 78 cm (h).

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"Sculpture must speak for itself," says the sculptor Sybille de Braak about her work. Born in 1947 in Norf in Dusseldorf, she moved with her parents to Den Haag, Netherlands in 1948. After a classical ballet training, she studied at the Academy of Fine Arts in Breda, later at the Royal College in Hague and at the Academy of Fine Arts in Amsterdam.

Sybille de Braak had her first solo exhibition in 1980 in Den Haag. Numerous other exhibitions followed in Netherlands and Spain.

For Sybille de Braak consciousness is on the classic values in the foreground: love and respect, knowledge and truth, harmony and beauty, tenderness and humor. These eternal values inspire her work and are represented in her beautiful sculptures.

Marble powder bound by a polymer. Artificial marble is characterized by a fine white surface that comes very close to marble.

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Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partner licensed by ars mundi.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

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