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Electorate serpentinite bowl, version in edelserpentinite

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Electorate serpentinite bowl, version in edelserpentinite

590,00 EUR

incl. VAT plus Shipping

Order-nr. IN-080560

Article No: IN-080560

delivery time: ship immediately

Short description

Museum replica | Edelserpentinite + bronze | Gold-plated | Height 9 cm | Ø 10 cm

Under Elector Augustus processing of serpentinite reached its exceptional full flowering. The bowl is marked with the year 1572, and the engraved coat of arms of Saxony and the Kingdom of Denmark on the inner side of the lid refer to the elector and his wife Anna, a daughter of King Christian III of Denmark._x000D_

Original: Dresden State Art Collection, the Green Vault. Saxony around 1572._x000D_

_x000D_

ars mundi museum replica, height 9 cm, diameter 10 cm. Edition in real edelserpentinite. Lid made of fine bronze, gold-plated.

Link to article: https://www.arsmundi.com/en/electorate-serpentinite-bowl-080560.html

https://www.arsmundi.com/

ars mundi
Edition Max Büchner GmbH
Bödekerstraße 13
30161 Hannover
Germany

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Electorate serpentinite bowl, version in edelserpentinite

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(Rebirth). Designation of art from about 1350 until the 16th century.

A state of mind that developed in Florence in the late 14th century that was retrospectively classified as rebirth of the classical ideals of Greek and Roman antiquity. During the 15th and 16th centuries, the Renaissance spread first over Italy and then all over Western Europe and determined the entire artistic creation. Such brilliant artists as Donatello, Leonardo da Vinci, Michelangelo, Raphael, Dürer, Holbein, Cranach and Fouquet created their immortal works by following the humanistic premises and putting a human being in the center of all thinking.

Renaissance experienced its heyday in literature through dramatic works and poems of William Shakespeare.

At the end of the 16th century, Renaissance had to make way to the luxury of baroque before its ideas had their rebirth in the classicism of the 18th century.

The mold is usually taken directly from the original, so that the replica reproduces even the finest details. After casting the replica, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.

A replica of ars mundi is a recognizable image of the original.