Rudolf Hausner:
Picture series "Three Temperaments"


Rudolf Hausner:
Picture series "Three Temperaments"

$ 1.478,75 (1.298,00 EUR)

incl. VAT plus Shipping


Product Actions

Add to cart options
Order-nr. IN-763522.R1
delivery time: approx. 2 weeks

Short description

Limited, 3.000 copies | Numbered | Hand-signed | Color lithographs on handmade paper | Silver frame | Mat | Format of each 55 x 65 cm

Rudolf Hausner: Picture series "Three Temperaments"

Three lithographs in colors, printed at Matthieu in Dielsdorf near Zurich. Limited edition of of 3.000 copies. Each graphic is numbered and signed by Rudolf Hausner. Unframed. Sheet format of each 40 x 50 cm, Rives handmade paper.

"Adam Constructive":

In the graphic series "Three Temperaments" Hauser represents the rational principle in the image of Adam. Adam is an architect and his rationality is represented in the pure contours of the old Viennese block of flats.

"Eve Contemplative ":

In "Eve Contemplative " Eve stands in front of the monument, which she covers from the world. Her leaned head, her looks, directed into indefinite distance and her loose hair present an opposition to Adam's rationality due to her inspiration, her sensitivity, her spirit.

Read more

Rudolf Hausner, 1914-1995, is considered the most outstanding representatives of the Vienna School of Fantastic Realism. In the 50s he became famous when he started to present in his works through the leitmotif figure of "Adam": "I can see the world only by myself!"

Rudolf Hausner's Œuvre is unique. All attempts to classify it in the usual categories of art history, must fail. Years ago, Wieland recognize Smith in the only psychoanalytic painter Hausner of Rudolf as equivalent enter into his reality and subconscious. The artist created the art character of Adam in his image because he knew no one better and deeper and was able to convey, as himself. "Painting, I enter into my subconscious and find important basics for my existence", Rudolf Hausner described his own contribution to the international surrealism.

With this guiding principle, the artist has created a form of the twentieth century: the curious, enlightened, helpless, but also skeptical contemporaries, who wants to go to the bottom of things. Identifying us with him, his work on the individual points. The collective self portrait of modern man succeeded in Hausner.

The chronology of his activities of the exhibition reads like a bulleted list of the cultural hotspots of the world: 1959 documenta II, Kassel; 1960 Guggenheim Museum, New York; 1963 Biennale Sao Paulo; 1980 Kunstlerhaus Vienna; 1982 Calouste Gulbenkian Museum, Lisbon.

In 1994, the city of Vienna honoured Rudolf Hausner, who held professorships in Hamburg and in Vienna, with a major retrospective

Last Visited