Vincent van Gogh:
Painting "Thatched Cottages in Cordeville" (1890) in gallery framing


Vincent van Gogh:
Painting "Thatched Cottages in Cordeville" (1890) in gallery framing

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Ars mundi exclusive edition | Limited, 499 exemplars | Certificate | Reproduction on canvas | Wedge frame | Gallery framing | Format 59 x 48 cm

Vincent van Gogh: Painting "Thatched Cottages in Cordeville" (1890) in gallery framing

On Vincent van Gogh’s (1853-1890) paintings one cannot see that the Dutch painter, highly appreciated today, literally struggled for each brush stroke. Partly because of the costs of paints, canvas or atelier, partly because of inspiration, which mostly came to him in waves. Legendary works, anticipating the Fauves and the Expressionism resulted from these intensive creative moments. Just during his 70-day stay in Auvers-sur-Oise, he created about eighty paintings.

This painting was also made during his last and most turbulent creation stage. While artists such as Pissarro or Cézanne made famous the friendly charm of Auvers, van Gogh transformed the landscape in a volcanic area, where houses seem as if shaken by an earthquake.
Original: Oil on canvas. Musée d´Orsay, Paris. 

High-quality reproduction, manually processed on art canvas (cotton canvas) with tactile and visible brush texture. Stretched on a wedge frame. Limited edition of 499 exemplars, with certificate. In hand-made genuine wood gallery framing in white with golden edges, grey patinated. Format 59 x 48 cm (W/H). ars mundi exclusive edition.

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Pioneer of Expressionism (1853-1890)

"This man is either mad or he lets us all far behind ", already prophesied Camille Pissarro born in 1853- son of Vincent van Gogh a clergyman. And in fact, the Dutch became a pioneer of modern, with its curved lines and bright colours, which ushered in the Expressionism. While van Gogh got hardly any money for paint and canvas in his lifetime for his paintings,and with the support of his brother Theo, he achieve his works today regularly usually tens of millions on spectacular auctions.

Van Gogh (1853-1890) comes from a family of Protestant pastor in Groot-Zundert in Brabant. With art, he first came into contact through an uncle, the art dealer was. Initially, van Gogh worked in stores of Galerie Goupil in the Hague, London and Paris, but also as a tutor in England and as a Methodist preacher. He began as a preacher in the mining area of Boringe for the first time to draw. Just a few months he attended the Brussels Academy, formed further but as an autodidact.

His first oil paintings represent poor farmers and workers. These pictures are very dark and painted with simple, broad lines. Antwerp, where he remained for three months and met the lightness and elegance of Japanese woodblock prints, he moved to Paris. Here he discovered the Sun and bright colours. He studied the early Symbolists, Impressionist and pointillist artists, and painted urban images, landscapes and portraits. More light and freedom-seeking, he went to Arles in southern France, where he followed his friend Paul Gauguin in 1888. Van Gogh was planning to set up a community of artists and to invite all of his painter friends, to live with him and to work, but the plan failed. After a dramatic confrontation with Gauguin in van Gogh injured himself on the ear he had to move several times longer with overwrought nerves in the hospital. These crises should worsen later and later led to his suicide.

In the time in Arles, van Gogh's most famous paintings emerged. All of the Sun's luminosity is in them; Fields, trees and clouds speak of the force of nature in impressive language. It is hard to imagine to us today's viewers, what force may have been necessary, to repudiate such Burgundian masterpieces of personal mental distress. It is van Gogh's secret - and it remains until today the secret of his late work.

Giclée = derived from the French verb gicler meaning "to squirt, spray".

Giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different coloured or pigment-based inks (usually six to twelve). The colours are light-fast, that is, resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.

The Giclée process is suitable for real art canvas, handmade and watercolor paper and for silk.