Robert Delaunay:
Stockschirm "Formes Circulaires" (1912)

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Robert Delaunay:
Stockschirm "Formes Circulaires" (1912)

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Automatic | Length 90 cm | Ø Shade 100 cm

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Robert Delaunay: Stockschirm "Formes Circulaires" (1912)

Eine Weiterentwicklung seiner "Fenêtre"-Serie (Fensterbilder) stellen die im Jahr 1912 begonnenen verschiedenen "Formes circulaires" dar und begründen damit den Beginn der Abstrakten Malerei in Frankreich. Vielfarbige, kreisrunde Scheiben, übereinander, ineinander, bilden mit Ringen und Farbflächen eine bewegte und zugleich harmonische Komposition.

Automatik-Schirm, Polyesterbespannung, Fiberglasgestell. Griff und Stock aus schwarzem Kunststoff. Länge 90 cm. Durchmesser Schirm 100 cm.

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Inspired by the neo-impressionism Georges Seurat, the French painter Robert Delaunay (1885-1941) painted since 1911 together with the artists of the Blue Rider” group. At the first exhibition of the Munich artist group, he sold most of the paintings.

Unlike at Kandinsky, at Delaunay, the light stays in the foreground. He was led to his ʺOrphism” – as named later by Guillaume Apollinaire – by his window paintings the ʺFenêtre”. Vibrating color spots are forming the displayed form. In that time, Delaunay departed for good from abstract cubism.

Another development of his ʺFenêtre”-series is represented by various ʺFormes circulaires”, begun in the same year and establishing the beginning in 1912 of abstract painting in France.

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