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Christine Röhrl-Lippert:
Picture "How spick and span" framed

Christine Röhrl-Lippert: Picture "How spick and span" framed
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Christine Röhrl-Lippert:
Picture "How spick and span" framed

$ 305,32 (268,00 EUR)

incl. VAT plus Shipping

Order-nr. IN-746337.R1

Article No: IN-746337.R1

delivery time: approx. 2 weeks

Short description

Ars Mundi Exclusive-Edition | Limited, 199 pieces | Numbered | Signed | reproduction, giclee on handmade paper | massive wood frame | Glazed | Size:32 x 45 cm

As a "newly hatched chicks," the exuberant female figure appears with a feather in hand. Lovely, delicate, sweet, bulbous. Still remembers the bathing cap to the egg, the symbol of perfection.

Ars Mundi Exclusive Edition: fine art giclee on handmade paper. Through the high resolution and the outstanding paper quality, the colourscome particularly brilliant to the validity. Limited edition, 199 pieces, numbered and signed. Sheet size: 30 x 43 cm.In demanding sophisticated massive wood frame. Dust-proof glazing. Size: 32 x 45 cm.

Link to article: https://www.arsmundi.com/en/artwork/spick-span-christine-rohrl-lippert-746337.R1.html

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Christine Röhrl-Lippert: Picture "How spick and span" framed

As a "newly hatched chicks," the exuberant female figure appears with a feather in hand. Lovely, delicate, sweet, bulbous. Still remembers the bathing cap to the egg, the symbol of perfection.

Ars Mundi Exclusive Edition: fine art giclee on handmade paper. Through the high resolution and the outstanding paper quality, the colourscome particularly brilliant to the validity. Limited edition, 199 pieces, numbered and signed. Sheet size: 30 x 43 cm.In demanding sophisticated massive wood frame. Dust-proof glazing. Size: 32 x 45 cm.

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1960, graphic artist and painter, sculptor

The women are viewed by Christine Rohrl Lippert, who the graphic artist, painter and sculptor and born in 1960, has made the topic: female figures in lush, rounded shapes, which seem very aware of the effect of her femininity. Rohrl Lippert implements them not only picturesque, but she lets her heroines come to bear in three-dimensional. Christine Rohrl Lippert began as a balance to the work as a graphic designer with the first voluminous women sculptures made of clay. Women were her central motif, a projection surface for EarthLink, strength and energy. The curves, shapes and the suggested severity of female characters in Rohrl-Lippert's images draw on elements of her sculptures. This vitality for life plays a role for the artist primarily regardless of social norms. Her female characters eventually develop a charming life. Rohrl-Lippert fascinates in her work the contradictions and illusions: "Formal severity will be countered by the lightness of the painting and the playfulness of the elements."