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SNUG.VASE LOW: "Robert Delaunay - Homage to Blériot" (1914)

SNUG.VASE LOW: "Robert Delaunay - Homage to Blériot" (1914)
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SNUG.VASE LOW: "Robert Delaunay - Homage to Blériot" (1914)

$ 25,97 (22,80 EUR)

incl. VAT plus Shipping

Order-nr. IN-835709

Article No: IN-835709

delivery time: ship immediately

Short description

Cardboard | Folded sheets| Format 14 x 11 x 11 cm (H/W/D)

The cardboard turns into a vase. This original case is easily folded and set together. Then you have to set a glass bottle (0.33 l) or a fitting glass, fill it with water and set a flower or a branch inside. Ready! Even without a flower, this piece of modern art makes a great impression. It will bring the color to your office or house with uncomplicated lightness.

High quality reproduction in 4 colors. The bow is folded, a folding guide is enclosed. Handy to send as a gift. Format when assembled 14 x 11 x 11 cm (H/W/D).

Link to article: https://www.arsmundi.com/en/artwork/snugvase-low-robert-delaunay-homage-to-bleriot-1914-835709.html

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SNUG.VASE LOW: "Robert Delaunay - Homage to Blériot" (1914)

The cardboard turns into a vase. This original case is easily folded and set together. Then you have to set a glass bottle (0.33 l) or a fitting glass, fill it with water and set a flower or a branch inside. Ready! Even without a flower, this piece of modern art makes a great impression. It will bring the color to your office or house with uncomplicated lightness.

High quality reproduction in 4 colors. The bow is folded, a folding guide is enclosed. Handy to send as a gift. Format when assembled 14 x 11 x 11 cm (H/W/D).

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Inspired by the neo-impressionism Georges Seurat, the French painter Robert Delaunay (1885-1941) painted since 1911 together with the artists of the Blue Rider” group. At the first exhibition of the Munich artist group, he sold most of the paintings.

Unlike at Kandinsky, at Delaunay, the light stays in the foreground. He was led to his ʺOrphism” – as named later by Guillaume Apollinaire – by his window paintings the ʺFenêtre”. Vibrating color spots are forming the displayed form. In that time, Delaunay departed for good from abstract cubism.

Another development of his ʺFenêtre”-series is represented by various ʺFormes circulaires”, begun in the same year and establishing the beginning in 1912 of abstract painting in France.