Thomas Jastram:
Sculpture "Small Rider 2nd Variant" (1997), Bronze 


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Limited, 10 copies | Numbered | Signed | Bronze | Height 48 cm

Thomas Jastram: Sculpture "Small Rider 2nd Variant" (1997), Bronze 

Sculpture in bronze, 1997. Edition: 10 copies, numbered, dated and signed by hand. Height 48 cm.

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Ob Porträts, Akte oder Pferde - der deutsche Bildhauer Thomas Jastram versteht es, in seinen Stein-, Gips- und Bronzeskulpturen die charakteristischen Merkmale seiner Motive herauszuarbeiten. "Er ist immer bedacht, die Ähnlichkeit und die feine Ausstrahlung, das Psychische des Modells im Ton auszudrücken", sagt sein ehemaliger Professor, Helmut Heinze, über ihn.

Jastram, 1959 in Rostock geboren, schloss 1985 sein Studium an der Hochschule für Bildende Künste Dresden mit Diplom ab, seitdem arbeitet er als freischaffender Künstler und hatte mehrere Lehraufträge, unter anderem an der Hamburger Technischen Kunstschule.

Neben diversen Ausstellungen schuf er zahlreiche Werke für den öffentlichen Raum, z. B. einen Brunnen in Ribnitz-Damgarten oder das Mahnmal für die Opfer der NS-Justiz im sächsischen Torgau.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting


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