Willi Kissmer:
Sculpture "Draperie II". Version in Bronze, Partially Gilded


Willi Kissmer:
Sculpture "Draperie II". Version in Bronze, Partially Gilded


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ars mundi special edition | Limited, 199 copies | Numbered | Signed | Edition in Bronze | Patinated | Polished | Partially gilded | Format 14 x 34,5 x 11 cm | Weight 4,9 kg


Willi Kissmer: Sculpture "Draperie II". Version in Bronze, Partially Gilded

Kissmer: the mysterious aura of feminine perfection.

The true nature of a body is three dimensional, tactile. The detail artist Willi Kissmer dedicates his plastic works to this topic. The unseen side, which creates the slightly visible tension in his pictures, is now obvious. With his sensitive, almost hyperreal form language, Kissmer succeeds in maintaining the sizzling eroticism of the motif using his graphic talent. The enveloping fabric becomes an excellent spice for visual enjoyment. Kissmer focuses on the expressive center of the female body, making it a highly personal projection surface for the viewer. Only then do the works of the internationally known artist become more complete.

Edition in bronze, partially gilded. Cast in lost wax technique, finely patinated and polished. Limited edition 199 copies, numbered and signed. Format 14 x 34,5 x 11 cm. Weight 4,9 kg. ars mundi special edition.

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Willi Kissmer is born in 1951 in Duisburg. He studied with Professor Hermann Schardt graphics at the Folkwang School in Essen. Study tours have taken him to Italy, South America and Russia. In 1987 he was followed by a visit to India.

Exhibitions in Lehmbruck Museum, Duisburg and Portsmouth, New York, Moscow, St. Petersburg and Basel underline its international importance.

He is a gifted master of etching technology. He makes expressive works of sensual aesthetics and raised charm with passion and perfection. Half range, half revealed Kissmers file by combining sexy fascinate by body and tissue, smooth skin and drape of the cloth landscape. Almost photo-realistic, and superior, Kissmer creates erotic art in perfection but the snapshot of camera.

While the internationally known artist works with photographic templates with simple image-realism have his works, however, little to do. The previously created black and white photographs are carefully arranged by him, until the posture of its model and the folds of their clothing, corresponds exactly to its ideas to every detail. On this basis, manufactures Kissmer in labour intensive detailed work photorealistic oil paintings, in which he approaches working step by step to the "reality" behind the image. The result is images that hyper realistic exaggerate the photographed arrangement - and which act as a colour oil painting, much closer, more accurate and more alive than ever could a mere photograph.

The true nature of the body is three-dimensional, tactile. The dedicated artist Willi Kissmer detail in his sculptural works. The invisible side, which creates a subtle tension in his paintings, is now to be seen. Kissmer succeeds with his sensitive, almost hyper real form language based on his graphic talent the sizzling eroticism of the subject to get around upright. The enveloping material is the unmistakable spice for visual pleasure. Kissmer focuses on the expressive centre of the female body and makes it a highly personal projection of the viewer. Only then is perfecting the art of internationally known artist.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting

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