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Robert Delaunay:
Silk Shawl and Umbrella "Formes Circulaires" (1912) in Set 

Robert Delaunay: Silk Shawl and Umbrella "Formes Circulaires" (1912) in Set 
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Robert Delaunay:
Silk Shawl and Umbrella "Formes Circulaires" (1912) in Set 

$ 157,22 (138,00 EUR)

incl. VAT plus Shipping

Order-nr. IN-876486

Article No: IN-876486

delivery time: ship immediately

Short description

Shade: automated, length 90 cm, Ø 100 cm | Shawl: silk satin (100% silk) format 180 x 42 cm (L/W)

Items of the bundle

The development of the "Fenêtre" series (Window Pictures) representing the various "Forms circulaires" has begun in 1912, thus establishing the beginning of Abstract Painting in France. Multi-colored, circular panes, one above the other, one inside the other, form a moving and harmonious composition with rings and colored surfaces.

Umbrella: an automatic umbrella with a polyester shade, fiber-framed. The handle and stick are made of plastic. Length 90 cm. Diameter 100 cm. Shawl: silk satin, 100% silk. Format 180 x 42 cm (L/W).

A set of an umbrella and a shawl.

Link to article: https://www.arsmundi.com/en/artwork/seidenschal-und-stockschirm-formes-circulaires-1912-im-set-876486.html

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Robert Delaunay: Silk Shawl and Umbrella "Formes Circulaires" (1912) in Set 

The development of the "Fenêtre" series (Window Pictures) representing the various "Forms circulaires" has begun in 1912, thus establishing the beginning of Abstract Painting in France. Multi-colored, circular panes, one above the other, one inside the other, form a moving and harmonious composition with rings and colored surfaces.

Umbrella: an automatic umbrella with a polyester shade, fiber-framed. The handle and stick are made of plastic. Length 90 cm. Diameter 100 cm. Shawl: silk satin, 100% silk. Format 180 x 42 cm (L/W).

A set of an umbrella and a shawl.

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Inspired by the neo-impressionism Georges Seurat, the French painter Robert Delaunay (1885-1941) painted since 1911 together with the artists of the Blue Rider” group. At the first exhibition of the Munich artist group, he sold most of the paintings.

Unlike at Kandinsky, at Delaunay, the light stays in the foreground. He was led to his ʺOrphism” – as named later by Guillaume Apollinaire – by his window paintings the ʺFenêtre”. Vibrating color spots are forming the displayed form. In that time, Delaunay departed for good from abstract cubism.

Another development of his ʺFenêtre”-series is represented by various ʺFormes circulaires”, begun in the same year and establishing the beginning in 1912 of abstract painting in France.