Christine Röhrl-Lippert:
Sculpture "Seated with bowl"


Christine Röhrl-Lippert:
Sculpture "Seated with bowl"

680,00 EUR $ 478,49 (420,00 EUR)

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Ars Mundi Exclusive Edition | Limited 199 pieces | Numbered | Signed | Selenite casting | Handpainted | Size:26 x 25 x 28 cm (W/H/D) | Weight: approx. 5.2 kg.

Christine Röhrl-Lippert: Sculpture "Seated with bowl"

Gracefully on the ground sitting the voluminous women's figure offers a bowl. She thanks or give and waits patiently. Dedicatedly of a person or the life even towards. A pose which still underlines the delicate sensuality of the figure.

Selenite cast, hand-painted, numbered and signed. Edition 199 pieces. Size: 26 x 25 x 28 cm (W/H/D). Weight: approx. 5.2 kg. Exclusive to Ars Mundi.

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Portrait of the artist Christine Rohrl Lippert1960, graphic artist and painter, sculptor

The women are viewed by Christine Rohrl Lippert, who the graphic artist, painter and sculptor and born in 1960, has made the topic: female figures in lush, rounded shapes, which seem very aware of the effect of her femininity. Rohrl Lippert implements them not only picturesque, but she lets her heroines come to bear in three-dimensional. Christine Rohrl Lippert began as a balance to the work as a graphic designer with the first voluminous women sculptures made of clay. Women were her central motif, a projection surface for EarthLink, strength and energy. The curves, shapes and the suggested severity of female characters in Rohrl-Lippert's images draw on elements of her sculptures. This vitality for life plays a role for the artist primarily regardless of social norms. Her female characters eventually develop a charming life. Rohrl-Lippert fascinates in her work the contradictions and illusions: "Formal severity will be countered by the lightness of the painting and the playfulness of the elements."

Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partner licensed by ars mundi.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

Collective term for all casting processes that ars mundi carries out with the help of specialized art foundries.

Cast stone
Equivalent of artificial marble, with the difference that the substitute stone in powder form is used instead of marble powder.

Cold cast bronze
Bronze powder bound by a polymer. By special polishing and patination techniques the surface of the casting gets a look that corresponds to the bronze.

ARA wooden copy
In order to guarantee absolute fidelity to the original, an artificially manufactured imitation wood is used as a base material which has typical wood characteristics: density, workability, color and surface structure.

Ceramic casting
As a rule castable clay is used in ceramic casting, which then is fired and possibly glazed. Plaster molds are often used instead of the usual rubber molds in ceramic casting and in porcelain production.

Bronze casting
In this case, the thousand-year-old lost-wax technique is used. It's the best, but also the most complex method of producing sculptures.

Related links:
ARA Kunst
Bronze casting
Lost-wax casting technique

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

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