Peter Hohberger:
Sculpture "Daphne", artificial marble


Peter Hohberger:
Sculpture "Daphne", artificial marble

$ 900,01 (790,00 EUR)

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Limited, 299 copies | Numbered | Signed | Museum-replica | Imitation marble | Handmade | Height 37 cm

Peter Hohberger: Sculpture "Daphne", artificial marble

According to the antique study, the creation itself is the greatest of all metamorphoses, and any change is a symbol of continually changing world. In this constant change the human feelings survive only as material substance. The sculptor Peter Hohberger from Southern Germany devoted his work to classical tradition and the mythical materials allow him to develop his talent completely.

His nymph Daphne avoiding Apollo driven by violent passion, changes into a bay tree. Sculpture in artificial marble. Limited world edition 299 pieces, numbered and signed (total edition of 398 pieces). Ars Mundi museum-replica after the original-work model with polymer bonded marble hand cast. Height 37 cm, stand base 18 x 12 cm.

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Born 1939, former actor, now a sculptor and painter.

Born in Silesia on November 12, 1939, sculptor Peter Hohberger dealt as a child with the drawing and modeling. After a successful career as an actor he has devoted himself for many years of painting and the visual arts. He sees himself consciously as a sculptor in the classical sense.

His aesthetic basic understanding is shaped by nature; it is the beauty of the human body itself that fascinated him and he reacted by modernism untouched in his files and portrait busts. His models, he does not deny: They are the masters of ancient Greece, Auguste Rodin and especially Arno Breker, who taught him personally. Of all he has learned, and not just in the accuracy with which he knows to represent the beauty of the female body.

Hohberger said: "art that enriches life and happy people survived any kind of so-called “Spirit of the time".

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

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