Sebastian Loscher:
Replica "Putte from the Fugger Chapel III", (c. 1530), artificial stone

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Sebastian Loscher:
Replica "Putte from the Fugger Chapel III", (c. 1530), artificial stone

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https://www.arsmundi.com/en/artwork/replica-putte-sebastian-loscher-698712.html
$ 478,49 (420,00 EUR)

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Order-nr. IN-698712
delivery time: approx. 2 weeks

Short description

Ars Mundi exclusive edition| Museums-Replica | Artificial stone| Patinated | Size 39 x 28 x 19 cm (W/H/D) |Weight 8 kg

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Sebastian Loscher: Replica "Putte from the Fugger Chapel III", (c. 1530), artificial stone

Jakob Fugger founded anno 1509 the Fugger Chapel designed by Albrecht Durer in the Augsburg Church of St. Anne: is the first building North of the Alps, is imbued with the spirit of humanism. The built up to 1512, magnificently furnished in subsequent years and 1518 consecrated burial of brothers Fugger was the brilliant prelude of the Renaissance in Germany and one of its high points. Some of the most important German artists of the Renaissance participated in their creation in addition to Albrecht Durer. Unique and charming are the cherubs that adorn the balustrade of the Fugger Chapel and "Guard", Grablege of the Fugger.

Ars Mundi offer exclusively and for the first time for 500th anniversary of the foundation of the Fugger Chapel in St. Anne, the famous putt as authentic, slightly scaled-down Museum replicas Each piece is carefully hand cast wird in p in polymer artificial stone and patinated in antique finish.

Putte from the Fugger Chapel III, c. 1530: Size 39 x 28 x 19 cm (W/H/D), Weight 8 kg.

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(Rebirth). Designation of art from about 1350 until the 16th century.

A state of mind that developed in Florence in the late 14th century that was retrospectively classified as rebirth of the classical ideals of Greek and Roman antiquity. During the 15th and 16th centuries, the Renaissance spread first over Italy and then all over Western Europe and determined the entire artistic creation. Such brilliant artists as Donatello, Leonardo da Vinci, Michelangelo, Raphael, Dürer, Holbein, Cranach and Fouquet created their immortal works by following the humanistic premises and putting a human being in the center of all thinking.

Renaissance experienced its heyday in literature through dramatic works and poems of William Shakespeare.

At the end of the 16th century, Renaissance had to make way to the luxury of baroque before its ideas had their rebirth in the classicism of the 18th century.

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