Andreas Artur Hoferick:
Horse sculpture pair "Poesie & Poetin", version in bronze

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Andreas Artur Hoferick:
Horse sculpture pair "Poesie & Poetin", version in bronze

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https://www.arsmundi.com/en/artwork/poesie-poetin-andreas-hoferick-787992.html
$ 6.721,58 (5.900,00 EUR)

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Ars mundi exclusive edition | Limited, 9 exemplars | Serially numbered | Signed | Edition in bronze | Mare format: 42 x 40 x 15 cm (W/H/D), weight 14 kg | Foal format 36 x 31,5 x 10,5 cm (W/H/D), weight 6 kg

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Andreas Artur Hoferick: Horse sculpture pair "Poesie & Poetin", version in bronze

Animals have fascinated Andreas Artur Hoferick since his childhood and he began straightaway to shape them. His mare and foal was based on a work commissioned for the Brandenburg municipality Neustadt a. d. Dosse, for which he created a larger-than-life naturalistic image of the "Poesie" mare. The mare and the foal can be displayed separately. 

Two horse sculptures in a set. Bronze edition, cast using the lost wax technique. Limited edition, 9 exemplars, serially numbered and signed. Mare "Poesie": Format incl. base 42 x 40 x 15 cm (W/H/D). Weight 14 kg. Foal "Poetin": Format incl. base 36 x 31.5 x 10.5 cm (W/H/D). Weight 6 kg. ars mundi exclusive edition.

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Andreas Artur Hoferick, Stone mason, sculptor and restorer graduate, has made a name in Germany due to the high quality of his work. He has numerous restorations and reconstructions carried out, including at Meseberg Palace (the government guest house), the city of Potsdam and Berlin's Schloss castle. But at the same time he also created busts, statues and sculptures.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting

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