Francisco de Goya:
Painting "The Naked Maya" (1797-1800) in museum framing


Francisco de Goya:
Painting "The Naked Maya" (1797-1800) in museum framing

$ 512,66 (450,00 EUR)

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Limited, 499 exemplars | Serially numbered certificate | Reproduction, giclée on canvas | Wedge frame | Museum framing | Format 80 x 45 cm

Francisco de Goya: Painting "The Naked Maya" (1797-1800) in museum framing

Goya detached himself from the conventional portrait painting and rendered his subjects with relentless frankness. The scandal painting of "naked Maya" was seen as the first display of pubic hair in the western art.

Original: Museo del Prado, Madrid. 

For a brilliant, authentic reproduction, the painting was transferred by fine art giclée technique directly on real art canvas and stretched as an original oil painting on a wooden stretcher frame. In hand-made genuine wood museum framing. Limited edition of 499 exemplars, with serially numbered certificate applied on the backside. Format 80 x 45 cm.

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Giclée = derived from the French verb gicler meaning "to squirt, spray".

Giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different coloured or pigment-based inks (usually six to twelve). The colours are light-fast, that is, resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.

The Giclée process is suitable for real art canvas, handmade and watercolor paper and for silk.

Epochal term for the art of the 17th century. Baroque art style that emanated from Rome in 1600 permeated fine arts, literature and music practically all over Europe within a very short time and lasted until 1770 in the fine arts. The last phase is generally characterized by the rococo.

Characteristic features include: the pulsating movement of all forms, the abolition of boundaries between architecture, painting and sculpture, that resulted in typical for the era synthesis of the arts, and especially in specific handling of light, which became an important artistic component. The subordination of the part to the whole led to the emergence of a single and, at the same time, dynamic space, which comes into full effect in the magnificent buildings of its time.

The Baroque art, with its tendency towards greatness, magnificence and rushing abundance clearly reflects the desire for representation, which was a concern of secular and ecclesiastical, especially Catholic customers strengthened through Counter-Reformation of that time. In painting, characteristic features of the Baroque, are manifested in the altar and ceiling painting, history and portrait.

The area of the sculpture is typically represented by such artists as Anthony van Dyck, Peter Paul Rubens, Gian Lorenzo Bernini and others.

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