Louis Auguste Moreau:
Vase "Marguerites" and "Coquelicot"

Louis Auguste Moreau: Vase "Marguerites" and "Coquelicot"
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Louis Auguste Moreau:
Vase "Marguerites" and "Coquelicot"

$ 4.124,09 (3.620,00 EUR)

incl. VAT plus Shipping

Order-nr. IN-372150

Article No: IN-372150

delivery time: approx. 2 weeks

Short description

Museum Replica | Bronze | Handmade | Hand Patinated | Partly Polished | Height 37 cm

Items of the bundle

Vase "Coquelicot"
Original: bronze, Paris 1900. Lost wax casting, bronze finish, partly old green polished, 37 cm (h).
Vase "Marguerites"
Original: bronze, Paris 1900. Lost wax casting, bronze finish, partly old green polished, 37 cm (h).

Link to article: https://www.arsmundi.com/en/artwork/marguerites-louis-auguste-moreau-372150.html

https://www.arsmundi.com/
ars mundi
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30161 Hannover
Germany

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Louis Auguste Moreau: Vase "Marguerites" and "Coquelicot"

Vase "Coquelicot"
Original: bronze, Paris 1900. Lost wax casting, bronze finish, partly old green polished, 37 cm (h).
Vase "Marguerites"
Original: bronze, Paris 1900. Lost wax casting, bronze finish, partly old green polished, 37 cm (h).

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The mold is usually taken directly from the original, so that the replica reproduces even the finest details. After casting the replica, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.

A replica of ars mundi is a recognizable image of the original.

Art Nouveau, known as Jugendstil in Germany, is a term for the art in 1890-1910. The name originates from the Munich-based magazine "Jugend" (Youth) founded in 1896. Internationally, the style is known as Art Nouveau (France), Modern Style (England) or Secession (Austria).

The Art Nouveau conquered all of Europe and there were created countless objects whose spectrum ranges from painting, applied arts to architecture. The Art Nouveau requirement was the artistic creation of everyday objects, that is beauty and practicality should be combined with each other. The desired unit of the artistic ability could only be achieved by individually expressed design, which allowed Art Nouveau to become an early stage of modernity. The essential characteristic of the Art Nouveau is a linear, often asymmetrical ornamentation whose models are to be found particularly in nature and flora.

Major Art Nouveau centers were formed in Munich, Darmstadt, Brussels, Paris and Nancy (Glass Art by Emile Gallé). The Viennese architecture of that time was determined by Otto Wagner and J. Hoffmann. Gustav Klimt created paintings that gave sensual form to the spirit of the Art Nouveau.

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