Ottmar Hörl:
6 sculptures "Large Piece of Hare" in a set

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Ottmar Hörl:
6 sculptures "Large Piece of Hare" in a set

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Limited, 500 exemplars each | serially numbered | signed | format 26 x 16 x 36 cm (H/W/D), each

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Ottmar Hörl: 6 sculptures "Large Piece of Hare" in a set

6 plastic sculptures 2003, Limited edition 500 exemplars each, serially numbered and hand-signed. Height 26 cm each, width 16 cm each, depth 36 cm each.

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Der Künstler Ottmar Hörl Ottmar Hoerl (born 1950) is one of the most important contemporary artists in Germany.

His sculptural works deal with the topic of normalization, the equalization of everyday objects that surround us in huge amounts in our everyday lives. But he does it in an exceedingly humorous way, and his "exhibitions" are like spectacles when he "carries" a huge swarm of owls to Athens, sets up hundreds of bears in front of the Brandenburg Gate or shows 1,000 meerkats on a "company outing" - all of them squeaky-colorful plastic.

"Focused on a place or distributed in the urban space, my installations turn into visual and tangible obstacles to make you think, make a moment of a break."

His most famous action was dedicated to the artist Duerer and his world-famous rabbit watercolor. The main market in Nuremberg during the "Big Hare Game" in 2003 was filled with no less than 7,000 rabbits filled. Ottmar Hoerl studied from 1975 to 1979 at the Academy of Visual Arts Staedelschule in Frankfurt am Main, from 1981 at the University of Art and Design in Duesseldorf with Klaus Rinke as a professor. In 1985 he founded the group "Formal Skin" with the architects Gabriela Seifert and Goetz G. Stoeckmann. At the beginning of the 1990s, Hoerl was visiting a professor at the Graz University of Technology. Since 1999 he holds a professorship for fine arts at the Academy of Fine Arts in Nuremberg, from October 2005 to October 2017 he was president of the academy.

Hoerl's work focuses on the aesthetics of everyday culture. He defines the concept of sculpture "as an organizational principle" and discovers this principle in its environment, in which many objects of everyday use are standardized and standardized.

His works can be found in many national and international collections. Ottmar Hoerl lives and works in Nuremberg and Wertheim.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

Collective term for all casting processes that ars mundi carries out with the help of specialized art foundries.

Cast stone
Equivalent of artificial marble, with the difference that the substitute stone in powder form is used instead of marble powder.

Cold cast bronze
Bronze powder bound by a polymer. By special polishing and patination techniques the surface of the casting gets a look that corresponds to the bronze.

ARA wooden copy
In order to guarantee absolute fidelity to the original, an artificially manufactured imitation wood is used as a base material which has typical wood characteristics: density, workability, color and surface structure.

Ceramic casting
As a rule castable clay is used in ceramic casting, which then is fired and possibly glazed. Plaster molds are often used instead of the usual rubber molds in ceramic casting and in porcelain production.

Bronze casting
In this case, the thousand-year-old lost-wax technique is used. It's the best, but also the most complex method of producing sculptures.

Related links:
ARA Kunst
Bronze casting
Lost-wax casting technique