Jürgen Ebert:
Sculpture "Golfer", bronze

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Jürgen Ebert:
Sculpture "Golfer", bronze

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https://www.arsmundi.com/en/artwork/golfer-jurgen-ebert-794385.html
$ 2.392,43 (2.100,00 EUR)

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Limited, 80 pieces | Numbered | Signed | Bronze | Chased | Patinated | Size approx. 20 x 33.5 x 14 cm (W / H / D) | Weight approx 3.4 kg

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Jürgen Ebert: Sculpture "Golfer", bronze

Momentum and dynamism: Jurgen Ebert's "Golfer"

"The golfer is not shown in my sculpture in the classical representational. For me as a sculptor rather on the dynamics and aesthetics of golf in molding in the foreground." (Jurgen Ebert)

The rotation at impact is highlighted in the abstract representation and support from the revolving line of the mold edge. The dynamic voltage line thereby lifts out the strong rotation of the tee movement. The sculpture stands on a plinth, whose shape is inspired by the "iron". The side elevation indicated on the shaft of the iron. By this stylistic hint an imaginary reference is made to the "wood" and merges the board as an artistic element with the sculpture.

Sculpture cast in fine bronze, hand lost wax. Direct chased by the artist and Patinated - unique from the artist's hand. Limited edition 80 pieces, numbered and signed. Size approx. 20 x 33.5 x 14 cm (W / H / D). Weight approx. 3.4 kg.

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Das Œuvre des Bildhauers Jürgen Ebert beeindruckt durch die Vielfalt seiner bildhauerischen Techniken, Themen und Formen. Ebert hat an der Akademie der Bildenden Künste München studiert und kann auf eine Vielzahl an Ausstellungen, u. a. auf der Art Basel, zurückblicken. Seine Großplastiken stehen in niederländischen, belgischen und zahlreichen deutschen Städten, u. a. in Dortmund und Essen.

Jürgen Ebert analysiert die Herausforderungen der Menschen aus einer kritischen und doch teilnehmenden Distanz und möchte mit seinen Werken zur Diskussion anregen.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting

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