Garden Sculpture /Water Spout "Elephant," Bronze


Garden Sculpture /Water Spout "Elephant," Bronze

$ 1.686,09 (1.480,00 EUR)

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Order-nr. IN-852319
delivery time: approx. 2 weeks

Short description

Bronze | Patinated | Format 66 x 93 x 33 cm (H/W/D) | Weight 25 kg

Garden Sculpture /Water Spout "Elephant," Bronze

The elephant is a clean animal: nothing is as dear for him as wading in the pond and sprinkling the water from the trunk. The early travelers to Africa saw in elephants the playfulness, which inspires zoo-goers of all ages to this day., at first glance. The sculpture is therefore not only a gargoyle but also a bronze playmate who also invites children and grandchildren to a small shower.

Sculpture in lost wax casting cast in bronze and finely patinated. Size 66 x 93 x 33 cm (H/W/D). Weight 25 kg.

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An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting

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