Alexander Koester:
Picture "Ducks at the waterlily pond"

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Alexander Koester:
Picture "Ducks at the waterlily pond"

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https://www.arsmundi.com/en/artwork/ducks-at-the-waterlily-pond-alexander-koester-487972.KR.html
$ 293,93 (258,00 EUR)

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Ars Mundi exclusive edition |Limited 499 pieces | Arts Reproduction, giclee on canvas | Stretcher frame | Size 52 x 30 cm

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Alexander Koester: Picture "Ducks at the waterlily pond"

The Original privately owned.For a brilliant, authentic art reproduction the oil painting in the Fine Art giclée process directly on artist matte canvas made from 100% cotton and is mounted on a stretcher frame. Limited edition 499 pieces. Unframed. Size 52 x 30 cm. Exclusive to Ars Mundi.

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With its specialization in the subject of "Ducks", Alexander Koester (1864-1932) of the great animal painters of art history. Virtuoso he gave in late impressionistic manner reflecting water surfaces and shimmering in light and shadow duck feathers again. The success was inevitable: 1904 Koester was awarded at the World Exhibition in St. Louis with the gold medal, he received from Prince Regent Luitpold of Bavaria another gold medal. From 1908, the artist sought regularly on Lake Constance to paint there big wide areas of water in all-weather situations. Today the painting Koester by collectors from around the world are sought and achieved at auctions ever new record sums.

Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partner licensed by ars mundi.

Giclée = derived from the French verb gicler meaning "to squirt, spray".

Giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different coloured or pigment-based inks (usually six to twelve). The colours are light-fast, that is, resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.

The Giclée process is suitable for real art canvas, handmade and watercolor paper and for silk.

The mental attitude which spilled over from literature and philosophy to visual arts, established in about 1800 but which failed to produce its own style in visual arts.

The art of Romanticism was determined by content, relevant attitude to life and the sensations triggered by it. Inwardness and feelings, imagination and dream, world and nature, the power of myth and striving into infinity became central themes. The specific area of Romantic art lies in the painting and drawing. The landscape, as a theme that is constanly turned to, always moves to the forefront: man and nature are in relationship with each other, reflect the moods. Besides a new nature feeling there was a renewal of the religious attitude and a return to the past, tradition, history, old legends, fairy tales, as well as to the art of old masters and epochs. Especially in the case of Germany these was strongly national-oriented art.

Main representatives in Germany include among others: C.D. Friedrich, P.O. Runge, J.A. Koch, M. v. Schwind, and also the Nazarene group of artists. French Romanticism, which was characterized by other trends than the German, is represented mainly by the art of Delacroix.

The Romantic period lasted until around 1830.

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