Rosa Gillissen:
Sculpture "Column Man" (small, height 74 cm), bronze


Rosa Gillissen:
Sculpture "Column Man" (small, height 74 cm), bronze

$ 865,83 (760,00 EUR)

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Limited, 199 exemplars | Serially numbered | Signed | Bronze | Patinated | Height 74 cm

Rosa Gillissen: Sculpture "Column Man" (small, height 74 cm), bronze

In this expressive masterwork, the artist proves her great repertoire of form language and her sculptural skill. The center and focus of Rosa Gillissenʼs artist creation is the human form, almost always abstracted by her. Her column men show in an impressive mode, that one has to push forward to the core in order to discover something essential.

Sculpture cast in high-quality red bronze, using the lost wax technique, hand patinated. Limited edition of 199 exemplars, signed and serially numbered. Height 74 cm.

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Born in 1944 Flaming Rosa Gillissen grew up in an eight-member factory owning Rosenthal family which were built in Belgium. In early years she dreamed of an artistic work, initially trained as a textile engineer. A further training as a fashion illustrator and ceramist at night school in Korijk woke her love for her the most important mediums - ceramics. Since 1994, Rosa Gillissen experimented with different materials and has thereby found the bronze.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting

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