William Turner:
Art print "Venice, from the Canale della Giudecca" (1818), framed

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William Turner:
Art print "Venice, from the Canale della Giudecca" (1818), framed

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https://www.arsmundi.com/en/artwork/canale-giudecca-jmw-turner-703407.R1.html
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Ars mundi exclusive edition | Limited, 499 exemplars | Serially numbered certificate | Reproduction on canvas | Wedge frame | Professional varnish | Wood framing | Format 79 x 56 cm

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William Turner: Art print "Venice, from the Canale della Giudecca" (1818), framed

William Turners Venetian views are among the most beautiful and ripest of his works.

Original: Oil on canvas, Victoria & Albert Museum, London.

This careful reproduction was made by hand on real art canvas and traditionally stretched on a wedge wooden frame. The surface has a canvas-like tactile and visual texture and extra brush strokes similar to the original highlighting the painting effect of this object. Sealed with professional varnish. In hand-made solid genuine wood decorative framing, in matt gold, slightly patinated. Limited edition of 499 exemplars, with serially numbered certificate applied on the backside. Format 79 x 56 cm. Exclusively at ars mundi.

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English oil and watercolour painter (1775-1851). He painted mainly landscapes, history paintings and seascapes.

From a young age William Turner reached the highest technical perfection and was considered one of the most important artists of Great Britain appointed to the Royal Academy, and nine years later he was one of their members.

Experimentation with new techniques and the intensive study of Goethe's colour theory solved together with extensive travels for Turner is an important change of style. Boldly he left the established rules of pictorial tradition and subject realism and devoted himself intensively to the effects of light and movement.

For its completely new painting Turner received much criticism. But his close observation of nature and the flowing light in the paintings of the great romantic paved the way for the Impressionists and for the development of modern painting.

Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partner licensed by ars mundi.

The mental attitude which spilled over from literature and philosophy to visual arts, established in about 1800 but which failed to produce its own style in visual arts.

The art of Romanticism was determined by content, relevant attitude to life and the sensations triggered by it. Inwardness and feelings, imagination and dream, world and nature, the power of myth and striving into infinity became central themes. The specific area of Romantic art lies in the painting and drawing. The landscape, as a theme that is constanly turned to, always moves to the forefront: man and nature are in relationship with each other, reflect the moods. Besides a new nature feeling there was a renewal of the religious attitude and a return to the past, tradition, history, old legends, fairy tales, as well as to the art of old masters and epochs. Especially in the case of Germany these was strongly national-oriented art.

Main representatives in Germany include among others: C.D. Friedrich, P.O. Runge, J.A. Koch, M. v. Schwind, and also the Nazarene group of artists. French Romanticism, which was characterized by other trends than the German, is represented mainly by the art of Delacroix.

The Romantic period lasted until around 1830.

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