Peter Elsner:
Picture "Big Blue Sky" (Original / Unique)

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Peter Elsner:
Picture "Big Blue Sky" (Original / Unique)

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https://www.arsmundi.com/en/artwork/blue-sky-peter-elsner-810046.R1.html
$ 3.429,15 (3.010,00 EUR)

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Order-nr. IN-810046.R1
delivery time: approx. 2 weeks

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Original painting | Signed | Mixed Media on canvas | Stretched | Framed | Format 125 x 95 cm (H/W)

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Peter Elsner: Picture "Big Blue Sky" (Original / Unique)

Original painting, signed. Mixed Media on canvas, mounted on a stretcher. Stretcher frame format 120 x 90 cm (H/W). Framed in high value solid wood frame with silver gilt shadow joint. Format 125 x 95 cm (H/W).

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Colourful joy of living on canvas

"You can not be sad with such a picture in the room," said one visitor in Peter Elsner exhibition. Peter Elsner painting - as he says - "People": The pictures are created in a field of tension between colours, shapes and partly texts. right inside his people: simplified comically naive, cute.

With their arms outstretched, they symbolise the absolute openness, directness that can be found only in children. People look at us and challenge in a unique way: her laughter falls back to us. "I was not looking for people. They found me, crept into the contents of pictures the paintings. They are expressions for the chaos or Random String in many things of life, which one does not may influence, even if ever so to good planning. The life is just what I do for living : varied and exciting ".

An artwork which is unique because of kind of production (oil painting, watercolors, drawing, etc.).

Near the classic unique pieces there exist the so-called “serial unique pieces”. They present a series of works with the same color, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in the “serial art”, a kind of the contemporary art, which achieves an aesthetic effect through the system of constant and variable elements or principles in rows, repetitions and variations of the same objects or themes.
In the history of arts the starting point of this trend was a work of Claude Monet "Les Meules“ (1890/1891), which for the first time presented an outgoing series instead of a mere group of works. The other artists, who addressed to the serial art, were Claude Monet, Piet Mondrian but first of all Gerhard Richter.

Graphic artwork in the making of which the artist combines at least two graphic techniques.

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