Wassily Kandinsky:
Painting "Yellow-Red-Blue" (1925), Framed
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Limited, 499 copies | Numbered certificate | Reproduction, giclee on canvas | On a stretcher | Framed | Format 50 x 79 cm (H/W)
In 1922 Kandinsky received the offer of Walter Cropius who invited the artist to study at Bauhaus. He combined his education with the theoretical creations and in 1926 issued his famous book "About the Spiritual in the Art" (1911) with the "Point and Line to Area," the ninth volume of the Bauhaus writings, a further series.
In more than 200 pages, he explains the foundations of his painting and sets out his logic of colors and shapes, in which, for example, blue is assigned to the circle, yellow to the acute-angled triangle, and red to the square. Kandinsky's synaesthetic system goes far beyond these simple basic forms and includes line forms, even associated sounds and smells, in his finely subdivided art and contemporary historical argumentation. The work offered here from 1925 shows his ideas for color and form harmony in exemplary fashion.
Original: 1925, oil on canvas, 128 x 201.5 cm (H / W). Donation Nina Kandinsky, 1976, Center Georges Pompidou, Paris, National Museum of Modern Art.
Brilliant fine art giclée on cotton canvas on a stretcher. Framed in valuable solid wood framing with silver shadow gap bar. Limited edition 499 copies, back numbered certificate. Format framed approx. 50 x 79 cm (H / W).
Link to article: https://www.arsmundi.com/en/artwork/bild-gelb-rot-blau-1925-gerahmt-848070.R1.html
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Wassily Kandinsky: Painting "Yellow-Red-Blue" (1925), Framed
In 1922 Kandinsky received the offer of Walter Cropius who invited the artist to study at Bauhaus. He combined his education with the theoretical creations and in 1926 issued his famous book "About the Spiritual in the Art" (1911) with the "Point and Line to Area," the ninth volume of the Bauhaus writings, a further series.
In more than 200 pages, he explains the foundations of his painting and sets out his logic of colors and shapes, in which, for example, blue is assigned to the circle, yellow to the acute-angled triangle, and red to the square. Kandinsky's synaesthetic system goes far beyond these simple basic forms and includes line forms, even associated sounds and smells, in his finely subdivided art and contemporary historical argumentation. The work offered here from 1925 shows his ideas for color and form harmony in exemplary fashion.
Original: 1925, oil on canvas, 128 x 201.5 cm (H / W). Donation Nina Kandinsky, 1976, Center Georges Pompidou, Paris, National Museum of Modern Art.
Brilliant fine art giclée on cotton canvas on a stretcher. Framed in valuable solid wood framing with silver shadow gap bar. Limited edition 499 copies, back numbered certificate. Format framed approx. 50 x 79 cm (H / W).