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Kay:
Painting "Eva I", Framed

Kay: Painting "Eva I", Framed
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Kay:
Painting "Eva I", Framed

$ 567,35 (498,00 EUR)

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Last Exemplars
Order-nr. IN-852915.R1

Article No: IN-852915.R1

delivery time: ship immediately

Short description

Limited, 199 copies | Numbered | Signed | Lithograph | Mat | Framed | Glazed | Format 54 x 44.5 cm (H/W)

Kay Winkler, born in 1956, also famous as KAY, in the later years was concentrated on installations and great plastics. However, he is not only a trained wood sculptor and a graduate of the State Academy of Sculpture in Munich with a master's degree, but also a trained graphic artist and painter.
His "Eva I" also shows his mastery in this art form: with a light stroke, he gives his seated "Eva" a charisma that goes far beyond the mere erotic.

Lithograph. Limited edition 199 copies, signed and numbered. Motif size 37.5 x 27.5 cm (H/W). Framed in an elegant gold-colored solid wood frame with a beveled mat, glazed. The format format 54 x 44.5 cm (H/W).

Link to article: https://www.arsmundi.com/en/artwork/bild-eva-i-gerahmt-852915.R1.html

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Kay: Painting "Eva I", Framed

Kay Winkler, born in 1956, also famous as KAY, in the later years was concentrated on installations and great plastics. However, he is not only a trained wood sculptor and a graduate of the State Academy of Sculpture in Munich with a master's degree, but also a trained graphic artist and painter.
His "Eva I" also shows his mastery in this art form: with a light stroke, he gives his seated "Eva" a charisma that goes far beyond the mere erotic.

Lithograph. Limited edition 199 copies, signed and numbered. Motif size 37.5 x 27.5 cm (H/W). Framed in an elegant gold-colored solid wood frame with a beveled mat, glazed. The format format 54 x 44.5 cm (H/W).

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In 1956 Kay Winkler was born, who calls himself only KAY, studied at the Academy of fine arts in Munich and Stuttgart, sculptor studies at Ibscher, and was an Assistant at the graphic studio of Professor H. C. Berann. At the age of 18, he made his debut with an exhibition at the Haus der Kunst in Munich.

Winkler's central theme is the naked female body, he manages after extensive studies of Anatomy in all imaginable positions to reflect real life realistically. As contrary to are introverted, sensitive artist, the superficial self-presentation and effect seeking scandals, KAY adheres to the tense relations of organic forms and pays homage to the sex-stressed female body, without lapsing into superficial piquancy.