Robert Delaunay:
Painting "The Runner" (around 1924/26), Framed

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Robert Delaunay:
Painting "The Runner" (around 1924/26), Framed

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ars mundi special edition | Limited, 499 copies | Reproduction, giclée on canvas | On the stretcher | Framed | Format 54 x 74 cm (H/W)

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Robert Delaunay: Painting "The Runner" (around 1924/26), Framed

Delaunay reduces the human body to its geometric shapes in his presentation, inspired by the Paris Olympics, and skilfully creates the effect of movement through the rhythmical juxtaposition of the runners and the use of color.

Original: around 1924/26, oil on canvas, Staatsgalerie, Stuttgart.

Reproduction in fine art giclee technique on artistic canvas and mounted on a stretcher. Limited edition 499 copies. Framed in the solid wood frame with a shadow joint. Format 54 x 74 cm (H/W). ars mundi special edition.

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Inspired by the neo-impressionism Georges Seurat, the French painter Robert Delaunay (1885-1941) painted since 1911 together with the artists of the Blue Rider” group. At the first exhibition of the Munich artist group, he sold most of the paintings.

Unlike at Kandinsky, at Delaunay, the light stays in the foreground. He was led to his ʺOrphism” – as named later by Guillaume Apollinaire – by his window paintings the ʺFenêtre”. Vibrating color spots are forming the displayed form. In that time, Delaunay departed for good from abstract cubism.

Another development of his ʺFenêtre”-series is represented by various ʺFormes circulaires”, begun in the same year and establishing the beginning in 1912 of abstract painting in France.

Representation of typical scenes of daily life in painting, which can distinguish between peasant, bourgeois and courtly themes.

The genre reached its peak and immense popularity in the Dutch painting of the 17th century. In the 18th century, especially in France, the courtly and gallant painting comes to the fore while in Germany the bourgeois character was emphasised.

Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partner licensed by ars mundi.

Giclée = derived from the French verb gicler meaning "to squirt, spray".

Giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different coloured or pigment-based inks (usually six to twelve). The colours are light-fast, that is, resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.

The Giclée process is suitable for real art canvas, handmade and watercolor paper and for silk.

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