Émile Bernard:
Painting "The Harvest" (1888), Framed


Émile Bernard:
Painting "The Harvest" (1888), Framed


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Short description

ars mundi special edition | Limited, 499 copies | Reproduction, giclee on canvas | On a stretcher | Framed | Format ca. 70 x 55 cm (H/W)


Émile Bernard: Painting "The Harvest" (1888), Framed

Original: oil on wood, Musée d'Orsay, Paris. The picture was taken in the year of the first encounter with Paul Gauguin. Bernard shows the landscape of Brittany as a composition of clearly demarcated areas with the equally flat-silhouetted-looking figures.

Reproduction in the fine art giclee technique directly on artistic canvas mounted on a stretcher. Framed in the solid wood frame. Limited edition 499 copies. Format framed approx. 70 x 55 cm (H / W). ars mundi special edition.

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At the end of the 19th century, Émile Bernard moved to the epicenter of modern art development. He was at friendly terms with van Gogh (who actively enhanced his posthumous recognition ) and had close contacts with Gauguin; later, he was in intense friendship with Cézanne.

Like van Gogh he admired the woodcut and made the use, not of the art of Gaugin, but developed the cloisonism, a painting technique, that presents the objects in sharply outlined color fields, like the middle-aged Church windows. The dispute over this question divides the artists till now.

Giclée = derived from the French verb gicler meaning "to squirt, spray".

Giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different coloured or pigment-based inks (usually six to twelve). The colours are light-fast, that is, resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.

The Giclée process is suitable for real art canvas, handmade and watercolor paper and for silk.