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Émile Bernard:
Painting "The Harvest" (1888), Framed

Émile Bernard: Painting "The Harvest" (1888), Framed
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Émile Bernard:
Painting "The Harvest" (1888), Framed

$ 398,74 (350,00 EUR)

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Order-nr. IN-871206

Article No: IN-871206

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Short description

ars mundi special edition | Limited, 499 copies | Reproduction, giclee on canvas | On a stretcher | Framed | Format ca. 70 x 55 cm (H/W)

Original: oil on wood, Musée d'Orsay, Paris. The picture was taken in the year of the first encounter with Paul Gauguin. Bernard shows the landscape of Brittany as a composition of clearly demarcated areas with the equally flat-silhouetted-looking figures.

Reproduction in the fine art giclee technique directly on artistic canvas mounted on a stretcher. Framed in the solid wood frame. Limited edition 499 copies. Format framed approx. 70 x 55 cm (H / W). ars mundi special edition.

Link to article: https://www.arsmundi.com/en/artwork/bild-die-ernte-1888-gerahmt-871206.html

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Émile Bernard: Painting "The Harvest" (1888), Framed

Original: oil on wood, Musée d'Orsay, Paris. The picture was taken in the year of the first encounter with Paul Gauguin. Bernard shows the landscape of Brittany as a composition of clearly demarcated areas with the equally flat-silhouetted-looking figures.

Reproduction in the fine art giclee technique directly on artistic canvas mounted on a stretcher. Framed in the solid wood frame. Limited edition 499 copies. Format framed approx. 70 x 55 cm (H / W). ars mundi special edition.

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1868-1941

At the end of the 19th century, Émile Bernard moved to the epicenter of modern art development. He was at friendly terms with van Gogh (who actively enhanced his posthumous recognition ) and had close contacts with Gauguin; later, he was in intense friendship with Cézanne.

Like van Gogh he admired the woodcut and made the use, not of the art of Gaugin, but developed the cloisonism, a painting technique, that presents the objects in sharply outlined color fields, like the middle-aged Church windows. The dispute over this question divides the artists till now.

Giclée = derived from the French verb gicler meaning "to squirt, spray".

Giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different coloured or pigment-based inks (usually six to twelve). The colours are light-fast, that is, resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.

The Giclée process is suitable for real art canvas, handmade and watercolor paper and for silk.