Gustav Klimt:
Bild "Bildnis Mäda Primavesi" (um 1912), gerahmt


Gustav Klimt:
Bild "Bildnis Mäda Primavesi" (um 1912), gerahmt

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Limited, 499 copies | Reproduction, giclee on canvas | On suspension device | Framed | Format 57,7 x 44,7 (H/W)

Gustav Klimt: Bild "Bildnis Mäda Primavesi" (um 1912), gerahmt

Erotische Motive, oft mit mythologischem Hintergrund, spielten bei Klimt eine Rolle, aber nicht weniger bedeutend sind seine Landschaften und vor allem seine Porträts, die er im Auftrag des wohlhabenden, oft progressiven Ideen zuneigenden Großbürgertums schuf. Das berühmteste darunter ist gewiss das der Adele Bloch-Bauer von 1907.
Die zur Entstehungszeit des Gemäldes neunjährige Mäda (Gertrude) Primavesi ist die Tochter eines Bankiers, der sich sehr für die junge Kunstszene engagierte und sich auch um die Wiener Werkstätte verdient gemacht hat. Sie ist das bei weitem jüngste Modell Klimts überhaupt - und das letzte noch lebende, als sie 2003 im Alter im hohen Alter von 97 Jahren starb.
Original: um 1912, Öl auf Leinwand, 149,9 x 110,5 cm, Metropolitan Museum of Art, New York.

Giclée auf Leinwand, auf Keilrahmen gespannt. Limitierte Auflage 499 Exemplare. Keilrahmenformat 48 x 35 cm (H/B). Gerahmt in weiß/goldener Massivholzrahmung. Format 57,7 x 44,7 cm (H/B).

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1862-1918, Austrian painter, famous representatives of Viennese Art Nouveau

Gustav Klimt (1862-1918) already was a renowned artist, Vienna's Ringstrasse with its Mural Art Nouveau crucial had distinct and was co-founder of the Vienna secession, was his "Golden style". Inspired by Byzantine mosaics, he added ornamental surfaces in a golden bed such as aggregate gems. In his image, Klimt describes the way of life of the people, by the shoots adversely affected that finds his salvation in the kiss. The representations of the body have a subtle erotic, however the figures dissolve into ornamental, geometrical colour surfaces. He does not only apply this principle style for his images of pair, but also the portraits of wealthy ladies and the landscape images. This flat style is today synonymous with the intense colour art of Klimt that characterizes his work but only in 1905.

Klimt was understood not only to gold and opulence, he was also a great artist. In the course of his life he produced numerous drawings. Most of the time as preparatory studies for larger works.

The son of an engraver learned his craft at the Vienna School of Applied Arts. Still searching for an independent expression, his early work is marked by the historicism Hans Makart, the artist Prince of the Habsburg monarchy in the late 19th century. A community of artists with his brother Ernst and Franz Matsch making, the young painters have received numerous orders for the design of new buildings on the Ringstrasse. The staircases of the Vienna Burgtheater and the Kunsthistorisches Museum bear witness to the historicist style of this community studios. Like so many young and open-minded artists of the Fin-de-siècle also Gustav Klimt turned off at the end of the 1890s of the academic tradition. In 1897, he founded the "Vienna secession", which he presided in 1905 until his exit as President with other artists. The own exhibition building of the secession is still place and temple for the new young art.

Giclée = derived from the French verb gicler meaning "to squirt, spray".

Giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different coloured or pigment-based inks (usually six to twelve). The colours are light-fast, that is, resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.

The Giclée process is suitable for real art canvas, handmade and watercolor paper and for silk.

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