Friedensreich Hundertwasser:
Painting "(936) The 30 Days Fax", Framed 

Images

Friedensreich Hundertwasser:
Painting "(936) The 30 Days Fax", Framed 

Details

https://www.arsmundi.com/en/artwork/bild-936-das-30-tage-fax-gerahmt-846164.R1.html
$ 592,41 (520,00 EUR)

incl. VAT plus Shipping

Product Actions

Add to cart options
Order-nr. IN-846164.R1
delivery time: approx. 2 weeks

Short description

Reproduction | Foil embossing | Framed | Mat | Format 98.9 x84.7 cm (H/W)

https://www.arsmundi.com/

Friedensreich Hundertwasser: Painting "(936) The 30 Days Fax", Framed 

In Jnauary 1992 Hunderwasser daily sent DIN A4-sized faxes from the Antipode/New Zealand to Vienna. The copies of this 30-days faxes were transferred on canvas and painted in the mixed technique. Hunderwasser perceived this painting as a huge artistic adventure: "The theme is so charming as in a children book. The dogmatic world of architecture refused to believe that the best architecture can be found in children paintings and fairy-tales".

High-quality reproduction with foil stamping. Das 30 Tage Fax Bild. The 30 Days Fax Painting. Le 30 Jours Fax Image, 1994. © 2015 by NAMIDA AG, Glarus/Switzerland. Printed in Germany. Motif size 65 x 57 cm. Sheet format 84 x 59.4 cm. Framed in a silver color solid wood frame with a mat. Format 98.9 x 84.7 cm (H/B).

Read more

Friedensreich Hundertwasser (1928-2000) was one of the most famous and creative artists. Being under the influence of Paul Klee and Gustav Klimt the Austrian master developed the artistic world of winding secrets and in no other work of art the paint is applied more bravely and sensitively than in paintings of Hundertwasser.

The promotion of life according to the laws of nature and the desire to reflect all areas of life in art individually were the main points of Hundertwasser’s creative works. He wanted to unite the creatures of men with the creatures of the nature and help people to satisfy the desire for the beautiful and various in the harmony with nature.

The art of Hundertwasser was opposed to the monotonous reality of the every-day life governed and founded by the mere ratio. Instead of the strict lines perceived as too geometrical he placed the natural shapes. He changed the pervasive grey for powerful and shining colors up to glossy gold.

His art wasn’t purely the gallery or museum kind of art. According to Hundertwasser if the art was destined to change the world, it should enter the lives of average people. When he addressed to the “practical” art and designed the objects of everyday life like book covers, glasses, cups, postal stamps and, finally, the whole houses, it wasn’t the new direction of his art, but continuation of the prospect, set in the beginning of his artistic career: “I want to give people the things which are beautiful and practical, which can mean something for them and enrich them.”

For Hundertwasser art should be associated with individual creativity. He was skeptical about the mass production of things and hostile to the purely functional architecture. He was sure that his sketches can preserve their harmonious beauty only through manual work.

Last Visited