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Art nouveau table clock of porcelain

Art nouveau table clock of porcelain

145,00 EUR

incl. VAT plus Shipping

Quantity:
Order-nr. IN-738482

Article No: IN-738482

delivery time: approx. 2 weeks

Short description

Bisque porcelain | Dial with Arabic numerals | Quartz mechanism | Format 17 x 16.5 x 4.5 cm (W/H/D)

Kaolin, feldspar and quartz - that does not sound very exciting. But at the same time these are the three essential elements of which white gold is produced, better known as porcelain. This multi-faceted table clock was modeled after an art nouveau sample of around 1900. Finest bisque porcelain, dial with Arabic numerals, quartz mechanism. Format 17 x 16.5 x 4.5 cm (W/H/D).

Link to article: https://www.arsmundi.com/en/artwork/art-nouveau-table-clock-of-porcelain-738482.html

https://www.arsmundi.com/
ars mundi
Edition Max Büchner GmbH
Bödekerstraße 13
30161 Hannover
Germany

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Art nouveau table clock of porcelain

Kaolin, feldspar and quartz - that does not sound very exciting. But at the same time these are the three essential elements of which white gold is produced, better known as porcelain. This multi-faceted table clock was modeled after an art nouveau sample of around 1900. Finest bisque porcelain, dial with Arabic numerals, quartz mechanism. Format 17 x 16.5 x 4.5 cm (W/H/D).

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Art Nouveau, known as Jugendstil in Germany, is a term for the art in 1890-1910. The name originates from the Munich-based magazine "Jugend" (Youth) founded in 1896. Internationally, the style is known as Art Nouveau (France), Modern Style (England) or Secession (Austria).

The Art Nouveau conquered all of Europe and there were created countless objects whose spectrum ranges from painting, applied arts to architecture. The Art Nouveau requirement was the artistic creation of everyday objects, that is beauty and practicality should be combined with each other. The desired unit of the artistic ability could only be achieved by individually expressed design, which allowed Art Nouveau to become an early stage of modernity. The essential characteristic of the Art Nouveau is a linear, often asymmetrical ornamentation whose models are to be found particularly in nature and flora.

Major Art Nouveau centers were formed in Munich, Darmstadt, Brussels, Paris and Nancy (Glass Art by Emile Gallé). The Viennese architecture of that time was determined by Otto Wagner and J. Hoffmann. Gustav Klimt created paintings that gave sensual form to the spirit of the Art Nouveau.

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