Annette Diekemper:
Horse Sculpture "Arabian Mare ", bronze


Annette Diekemper:
Horse Sculpture "Arabian Mare ", bronze

$ 2.141,79 (1.880,00 EUR)

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ars mundi special edition | Limited, 199 copies| Signed | Numbered | Bronze | Patinated and olished by hand | Format 22 x 15 x 17,5 cm | Weight 3 kg

Annette Diekemper: Horse Sculpture "Arabian Mare ", bronze

Being an active horse rider with the experience of 25 years, Annette Diekemper became a great follower of the classic horsemanship. She grasps the variety of fascinating animals in race, temperament and radiation with deep intuition and is able to render their images vividly and close to reality. Down to the last detail the sculptress renders flexible muscles of these majestic creatures – this is a masterpiece of the modern animal art. Sculpture in fine bronze, poured from hand in the wax investment casting, hand patinated and polished. Limited edition of 199 copies, numbered and signed. Format 22 x 15 x 17.5 cm, weight 3 kg. ars mundi special edition.

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The sculptor Annette Diekemper, born in 1959 in Gütersloh, follows with her naturalist works the art of the great animaliers of Jules Mêne and Antoine Barye, who enjoyed great success with their deigns in Parisian Salons.

Her concern is to represent animals in their aspect and behavior, as authentically as possible, and to capture thus a snapshot of the nature beauty.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting

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