Günther Stimpfl:
Sculpture "Ambiguity", version in artificial marble


Günther Stimpfl:
Sculpture "Ambiguity", version in artificial marble


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Limited, 199 exemplars | Serially numbered | Signed | Artificial marble | Partly silver-plated | Height 110 cm


Günther Stimpfl: Sculpture "Ambiguity", version in artificial marble

In many religions, the deities were represented as bisexual beings, as in Aristophanes’ myth of the primordial, double-headed, bisexual humans. From the ancient Chinese yin-yang theory and the alchemists´ experiments to the modern abyssal psychology and biogenetics, speculations on separation and reunion of the male and female principles are lining up.

With this idol based on the interrelation theme, Günther Stimpfl brought to a severe, abstract form this bipolarity, the duality of existence, the spirit-body ambivalence and the fusion of two bodies.

Standing figure "Ambiguity": Limited world edition, overall 458 exemplars. Serially numbered and signed. Height 110 cm. Base surface 32 x 13 cm. Edition in white, polymer-bound artificial marble. Limited series of 199 exemplars. Partly silver-plated.

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Gunther Stimpfls rise to the art elite began in Vienna. He was from 1964 to 1972 as master student of Fritz Wotruba and Joannis Avramidis at the Academy of Arts. From 1972 to 1984 he paid attention to himself by designs for mobile wind and water objects. Since 1985 Stimpfl works as a freelance sculptor.

His static-figurative large and small sculptures that find much attention in exhibitions in the art centres of Europe today are showpieces of significant public and private collections.

Gunther Stimpfl reflects peoples need to express his spiritual world in visible symbols in a modern and at the same time, archaic sculpture. The weightless elegance of his impressive works of the idols of sunken cultures, spirit and imagination and meets the desire of people for beauty that stands the test of time.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

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