Franz Marc:
"Yellow Cow", 1911

Images

Franz Marc:
"Yellow Cow", 1911

Details

https://www.arsmundi.com/en/artwork/%E2%80%9Eyellow-cow-462312.html
$ 432,92 (380,00 EUR)

incl. VAT plus Shipping

Product Actions

Add to cart options
Order-nr. IN-462312
delivery time: ship immediately

Short description

Museum replica | Artistic casting | Handmade | Painted by hand | Format 32 x 32 x 13 cm (w/h/d) | Weight 4.5 kg

https://www.arsmundi.com/

Franz Marc: "Yellow Cow", 1911

In 1911 Franz Marc and his wife Maria got married. "The Yellow Cow" symbolized their love. This animal also stands for everything feminine and opens surprising aspects of life elegantly and cheerfully. The sculpture was modeled after an oil painting with the same name, created in 1911. Solomon R. Guggenheim Museum, New York, cast and colored by hand. Format 32 x 32 x 13 cm (w/h/d), Weight 4.5 kg.

Read more

Franz Marc (1880-1916) unique talent was recognized and nurtured at the Munich Academy. On several trips to Paris, he was impressed by Van Gogh works, as he saw it for the first time. These works were significantly and helped him to develop autonomous artistic language. Through his friend August Macke, Wassily Kandinsky and Gabriele Munter and Alfred Kubin, he knew about the expressionist artists association founded in 1911 "The Blue Rider". At the outbreak of the First World War Marc was drafted into military service and fell two years later in the grave fighting at Verdun.

Marc grappled with naturalism, the Art Nouveau and the French Impressionism, but was looking for a new expression language to represent "the spiritual essence of things" can. With never a previously unknown consequence he opened the way for an art in the colours far beyond the naturalistic representation acquired a symbolic meaning: "Every colour must say clearly who and what it is, and has to this on a clear form", said Marc. Blue is the colour of the spiritual with him, red is love, passion and vulnerability, yellow is the sun and the femininity.

In the center of his painting were in particular animals, for him it symbolized purity and originality in contrast to people. Just like Kandinsky he was looking for the renewal of the spiritual in art.