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Ma Tse Lin: "Tête de Bouddha"

Ma Tse Lin:
"Tête de Bouddha"

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880,00 EUR

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Limited, 298 Copies | Numbered | Signed | Museum Replica | Art Casting + Diabase | Handmade | Hand Painted | Patinated | Format 20 x 53 x 20 cm (W/H/D)

http://www.arsmundi.com/

Ma Tse Lin: "Tête de Bouddha"

Resin cast, handpainted, limited edition of 298, numbered, signed. Black diabas base. 20 x 53 x 20 cm (w/h/d). Head can be turned in any direction.

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Ma Tse LinMa Tse Lin was born in 1960 as son of a banker in Guan-dong (China). His parents were devout Buddhists. At the age of 11 years, Ma Tse Lin's remarkable artistic talent revealed when painting Chinese characters in school. After graduating from the Art Academy in Beijing in 1985 he was admitted in Paris he became the first Chinese student at the "Ecole Nationale des Arts Décoratifs", where he was awarded first prize for painting.

In 1988 Ma TSE Lin's first solo exhibition took place in Paris. It was followed by many more exhibitions in Europe, the United States and Asia. Meanwhile his works have begun in major collections and museums in China and the United States. The Chinese Embassy today proudly presents him as a figurehead of the Sino European modernism.

After numerous experiments with different materials, techniques and designs Ma Tse Lin dedicates exclusively its work today to Buddha.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

Sculptural representation of person's head and shoulders.

Collective term for all casting processes that ars mundi carries out with the help of specialized art foundries.

Cast stone
Equivalent of artificial marble, with the difference that the substitute stone in powder form is used instead of marble powder.

Cold cast bronze
Bronze powder bound by a polymer. By special polishing and patination techniques the surface of the casting gets a look that corresponds to the bronze.

ARA wooden copy
In order to guarantee absolute fidelity to the original, an artificially manufactured imitation wood is used as a base material which has typical wood characteristics: density, workability, color and surface structure.

Ceramic casting
As a rule castable clay is used in ceramic casting, which then is fired and possibly glazed. Plaster molds are often used instead of the usual rubber molds in ceramic casting and in porcelain production.

Bronze casting
In this case, the thousand-year-old lost-wax technique is used. It's the best, but also the most complex method of producing sculptures.

Related links:
ARA Kunst
Bronze casting
Lost-wax casting technique

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