Petra Waszak:
Roman cross necklace ‘Luna’

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325,00 EUR

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Order-nr. IN-467485
delivery time: approx. 2 weeks

Short description

Brass | gold-plated | Murano glass + jasper | unique item | handmade | hand-painted | pendant 5,3 x 5,3 cm | adjustable chain 48-54 cm

http://www.arsmundi.com/

Petra Waszak: Roman cross necklace ‘Luna’

Here the artist quotes the motifs from classical Rome and connects them with some Baroque elements. Each piece of jewelry is made by the artist entirely by hand on the basis of 24 carat gold-plated brass. Each piece is unique.

Hand-painted cross pendant with the oval moonstone of Murano glass, Format 5.3 x 5.3 cm. Chain of jasper with a lobster clasp, adjustable length 48-54 cm.

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For many years, Petra Waszak interprets forms and symbols of art history with unique sensitivity in fashion accessories. With much subtlety she combines different styles and techniques and creates such a special voltage.

The artist collaborated with the most important fashion houses such as Dior, Chanel and Gucci. Her extraordinary creations will find itself among other things in the shops of great world museums such as the Musée du Louvre in Paris, the British Museum in London or the Rijksmuseum in Amsterdam. Her creations are worn by many actors, politicians and celebrities, such as Liza Minelli and Angela Merkel.

The Roman art is primarily determined by the fusion of Italian and Greek Hellenistic elements.

The pragmatic and political aspects serving to expand the empire were influential in architecture.

In religious sphere the early temples of Rome followed the Etrurian-Italic type. The Roman secular buildings, such as bridges, ports, aqueducts, walls, gates, etc. played far more important role.

With the transformation of the Roman Forum by Augustus and the redesign of the Forum of Augustus the significance of the old city centers changed. They became large closed outdoor spaces. Axial symmetry, oriented to a podium temple is characteristic of the time. The temples and theaters that were built in the "eternal city" under the reign of Emperor Augustus with their round dynamic designs diverged considerably from the straight-lined Greek models.

The copies and transformation of Greek models primarily predominate among the round, three-dimensional works of the Roman period. Independent achievements of Roman sculptors arose in the field of portraits, whereby in Rome, the form of the bust was preferred. A preference for ornamentation without neglecting the substantive content is shown in the relief art.

Triumphal paintings that were carried in processions to honor glorious commanders were typical for the painting. Such excavated cities of Vesuvius as Pompeii, Herculaneum, Stabiae and Oplontis provide the richest overview of mural painting.

A parallel to the painting is the art of mosaic which was mainly used for the decorative design of floors and walls.

Some areas of minor arts flourished exceedingly in Roman times. Toreutics, the art of working metal, brought forth precious silver vessels. The glassblowing art is documented by numerous excellent finds. In glyptik, (the art of carving on precious stones) there are magnificent reliefs carved from semi-precious stones, engraved gems and cameos depicting official themes.

The extensive coinage in Roman times contributed to spreading the portraits of the rulers over the entire territory of the Roman Empire.

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