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Rainer Kriester: Sculpture ensemble "Head and Hand", Bronze

Rainer Kriester:
Sculpture ensemble "Head and Hand", Bronze

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2.200,00 EUR

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Limited, 99 pieces | Numbered | Signed | Bronze | Patinated | Head: height 11 cm | Hand: height 12 cm |Total weight 1.7 kg

http://www.arsmundi.com/

Rainer Kriester: Sculpture ensemble "Head and Hand", Bronze

"Head and Hand" is a witty and ironic example of Kristen's employment with the most relevant parts of the human body. In the sculpture, the artist touches the head as seat of the intellect, on the one hand, and the hand as a symbol for the practicism on the other hand.

Ensemble of sculptures in bronze, patinated lost wax casting at Thomas Zimmer in Hermannsburg. Height of the sculpture: head 11 cm, hand 12 cm. Weight: head 1.2 kg, hand 0.5 kg. Edition 99 pieces, numbered and signed.

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The German sculptor Rainer Kriester (1935-2002) dealt with preference with abstracted heads, which he described as a head mark or stele. Many of his works can be admired in important places in the public space. Rainer Kries Marketers sculpture "Large white head character" is at the chancellery in Berlin.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting

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