Max Pechstein:
Painting "The Red House in Nidden", framed

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490,00 EUR

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Order-nr. IN-701649
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Ars mundi exclusive edition | Limited, 499 exemplars | Serially numbered certificate | Reproduction, giclée on canvas | Wedge frame | Museum framing | Format 73 x 65 cm

http://www.arsmundi.com/

Max Pechstein: Painting "The Red House in Nidden", framed

In 1999,"The Red House in Nidden" from Pechstein was auctioned at Sotheby's for 419.000 £.

For a brilliant and authentic reproduction, the oil painting was directly transferred in Fine Art Giclée method on artists' canvas and stretched on v-frame. Numbered certificate on the back. Limited edition of 499 exemplars. Framed in hand made museum framing. Format 73 x 65 cm.

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Max Pechstein (1881-1955) is considered to be one of the most important representatives of German Expressionism and the "bridge". As a successful graduate of the Academy, he joined in the spring of 1906, the legendary artist group founded the previous year by Kirchner, Schmidt-Rottluff and Heckel and Bleyl. Pechstein's "Red House officials" was auctioned at Sotheby's for 419.000 British Pounds in 1999.

Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partner licensed by ars mundi.

Giclée = derived from the French verb gicler meaning "to squirt, spray".

Giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different coloured or pigment-based inks (usually six to twelve). The colours are light-fast, that is, resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.

The Giclée process is suitable for real art canvas, handmade and watercolor paper and for silk.


Artistic movement that replaced the Impressionism in the early 20th century.

Expressionism is the German form of the art revolution in painting, graphics and sculpture, which found its precursor in the works of Paul Cézanne, Vincent van Gogh and Paul Gauguin in the late 19th century. The Expressionists tried to advance to the basic elements of painting. With vibrant, unbroken colors in large areas and with the emphasis on line and the resulting targeted suggestive expressiveness they fought against the artistic taste established by bourgeoisie.

The most important representatives of Expressionism were the founders of "Die Brücke" (The Bridge): Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller and Franz Marc, August Macke, among others.

Masters of Viennese Expressionism are Egon Schiele and Oskar Kokoschka.

The Fauvism is the French form of Expressionism.

Related Links:
Brücke
Fauvism

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