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Gustav Eberlein: Sculpture "Rebecca carrying water " (1897), Bronze art edition

Gustav Eberlein:
Sculpture "Rebecca carrying water " (1897), Bronze art edition

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Bronze Art | Handmade | Patinated | Size 72 x 115 cm (W / H) | 60 kg

http://www.arsmundi.com/

Gustav Eberlein: Sculpture "Rebecca carrying water " (1897), Bronze art edition

In collaboration with Prof. Grimm, Ars Mundi succeeded in making a special creation of the great sculptor for the public accessible.

Original: Municipal Museum Hannoversch Muenden.

Edition patinated in polymeric Bronze Art , hand patinated. Hand cast. Size (W. / H) 72 x 115 cm, Weight 60 kg.

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Gustav Eberlein (1847-1926) was a sculptor, painter and writer. Emperor Wilhelm visited him repeatedly in his studio on Lützow shore in Berliner, Martin Gropius was among his promoters. At the end of the 19th century, there were no of the establishment not wanted their portrait made by him. And so, the fame of Gustav Eberlein, born in Hannoversch Münden, was related mainly to the number of memorials of high-ranking personalities. His important work, consisting of over 600 sculptures and 300 paintings, made Eberlein one of the most complete artist of his time.

Bronze powder bound by a polymer. By special polishing and patination techniques the surface of the casting gets a look that corresponds to the bronze.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

The mold is usually taken directly from the original, so that the replica reproduces even the finest details. After casting the replica, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.

A replica of ars mundi is a recognizable image of the original.

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