Albrecht Dürer:
Libram " Paintings catalog " - Norbert Wolf

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Libram | 320 pages | 250 pictures | Of which 200 in colour | Hardcover | Jewellery slipcase | Size 26.5 x 38 cm

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Albrecht Dürer: Libram " Paintings catalog " - Norbert Wolf

Albrecht Durer - Rediscovering a Renaissance-Genies ! This new, opulent Durer-Monografie is like taking a journey of discovery into the world of the artist's works,which fascinates the layman interested in art, but also meets the demands of the skilled artisan.

Albrecht Durer is one of the greatest artists of the Renaissance -He is the northern counterpart of Botticelli, Raphael and Michelangelo. His talents were mindful: He brilliantly is not just in painting, but also created equal value masterpieces in the drawing and printmaking; he focused on architecture, literature and music, in addition he designed and published Books. He was cosmopolitan who undertook numerous trips abroad and built up a network of contacts, and he was above all an entrepreneur in his own, who proudly cemented his status as an artist, as he used his initials as a brand and he was extremely sensitive in copyright issues.with this self-awareness, he marks the change of the public perception of tartist's personality.

Norbert Wolf monography is divided into seven chapters with different priorities and a subsequent painting book with 78 categories. Several highlights Durer's art serve as analytical hanger and locks in the contemplation of Duerer's life and work.he Duerer's art history considerations to link with the career, each of these Chapter a brief overview of the most important time-related events from life and art Duerer's prefix.

Excellently reproduced and composed photo galleries, as well as generous detail pictures invite you to the luxuriating, amaze and inspire. A classic, to Duerer's own book design oriented layout makes the volume a harmonious and highest meets aesthetic requirements overall. 320 Pages with 250 illustrations, 200 of which are in colour, bound in the in jewellery slipcase, Prestel Verlag, 2010. Size 26.5 x 38 cm.

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German painter, copper engraver and drawer for woodcut (1471-1528). He is among the most important and multilateral artists of the time between late middle ages and renaissance in Germany.

Initially, he learned the goldsmith craft. At fifteen, he was trained by a painter. Later, he traveled a few years, returned home, developed in painting the utmost versatility in the techniques known at that time.

His animal drawings point to the view on nature unadulterated by mythology and superstition, which was so characteristic for renaissance – they are unmatched in their observation accuracy and drawing execution. For Dürer already applies the statement made by Galilei more than one century later: “The great book of nature stays open in front of us – one has just to read in represent it.”

(Rebirth). Designation of art from about 1350 until the 16th century.

A state of mind that developed in Florence in the late 14th century that was retrospectively classified as rebirth of the classical ideals of Greek and Roman antiquity. During the 15th and 16th centuries, the Renaissance spread first over Italy and then all over Western Europe and determined the entire artistic creation. Such brilliant artists as Donatello, Leonardo da Vinci, Michelangelo, Raphael, Dürer, Holbein, Cranach and Fouquet created their immortal works by following the humanistic premises and putting a human being in the center of all thinking.

Renaissance experienced its heyday in literature through dramatic works and poems of William Shakespeare.

At the end of the 16th century, Renaissance had to make way to the luxury of baroque before its ideas had their rebirth in the classicism of the 18th century.

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