Relief "Mithuna Love Pair", polymer cast

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Museum replica | Polymer cast | Hand-made | Format 42 x 19.5 cm (H/W)

http://www.arsmundi.com/

Relief "Mithuna Love Pair", polymer cast

Those who enter for the first time the sanctuary of Khajurao is stunned by the joys of love art, immortalized in stone. In almost unending variations, they are shimmering on the temple walls. The pair filled with lust to the tips pf their fingers is proof of a culture in which grace and refinement, sexual and religious ecstasy were merged one into the other.

Original: Kandariya-Madadeva Temple in Khajuraho (Central India), Mond dynasty, 10th-11th century B.C. sandstone.

 

Polymer ars mundi museum replica, hand-cast; height 42 cm, width 19.5 cm. The relief can be hanged or laid.

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The art on the Indian subcontinent with the present states of India, Pakistan, Bangladesh and Sri Lanka vary depending on landscape and religion. The Indian art is one of the most important complexes of the world art and is determined by the religion. Its most outstanding achievements include the illustrations of intimate contemplation and sensual vitality. Four culturally different phases string together:

The Harappan culture of north-western and northern India in the 3rd - 2nd century B.C., the periods of Indian antiquity up to the Middle Ages, the Indo-Islamic periods since the muslim conquests from the 12th and 13th centuries and modern period, that initiates the Hindu renaissance and finally flows into the modern international flair.

The Harappan culture (ca. 2500 - 1500 B.C.) is the first advanced civilization on Indian soil.

A renowned Brahmin caste society was formed after the arrival of Aryan tribes in the Vedic period from about 1200 B.C. and was the basis of later Hindu and Buddhist religions of India. Besides the early iron implements, here have been found finely painted ceramics.

The Mauryan Period (4th - 2nd century B.C.) determined the early phase of state building and coincided with the the emergence of Buddhism. The first monumental architectonic and sculptural works, animal figures of the highest sculptural maturity arose during this time. The artistic styles of stupas developed in the early Buddhist and early Hindu periods, (about 100 - 75 B.C.). The Buddhist art styles forego the human representation of Buddha, in Hinduism idols emarged from the outset.

The early Hindu and Buddhist picture cult fully developed in the Satavahana period from the 2nd - 3rd century A.D.

The Gupta period (320 - 6th century) saw the emergence of the Buddha image with great inner composure. In Hindu art, the representations of Shiva and Krishnu were created with a soft modeling and well-balanced proportions.

Medieval periods (7th - 13th century). The common religious traditions of India proved to be a culturally unifying foundation. The hindu trinity of Vishnu, Shiva and Brahma was the subject of artistic creation. The Devi and Shakti have acquired a special position as female cosmic forces in the Tantric art. The esoteric direction of Tantrayana, in the Pantheon of which the Bodhisattvas and Taras dominated, was formed in Buddhism towards the end of the 1st millennium. The temples of that time, decorated with figurative reliefs, were impressive.

Indo-Islamic art developed from the 12th century, however, remained dominated by the Indian architects. The Mughal dynasty, founded by Babur in 1526, started to develop monumental fortress, palace and garden architecture, that was characterized by the use of precious materials (red sandstone, white marble).

Related links:
Bodhisattva

An art work that is cut in from a stone or wooden surface, not modeled in the round.

According to the degree of projection one can distinguish between low-relief or bas-relief and high relief. The sunk relief is a common form of reliefs in Ancient Egypt, where the depicted scenes were cut into the stone or wood surface.

Among the most famous reliefs are the works of the Florentine master Lorenzo Ghiberti. He created, among others, the bronze doors of the Florence Baptistery, called by Michelangelo the "Gates of Paradise".

Collective term for all casting processes that ars mundi carries out with the help of specialized art foundries.

Cast stone
Equivalent of artificial marble, with the difference that the substitute stone in powder form is used instead of marble powder.

Cold cast bronze
Bronze powder bound by a polymer. By special polishing and patination techniques the surface of the casting gets a look that corresponds to the bronze.

ARA wooden copy
In order to guarantee absolute fidelity to the original, an artificially manufactured imitation wood is used as a base material which has typical wood characteristics: density, workability, color and surface structure.

Ceramic casting
As a rule castable clay is used in ceramic casting, which then is fired and possibly glazed. Plaster molds are often used instead of the usual rubber molds in ceramic casting and in porcelain production.

Bronze casting
In this case, the thousand-year-old lost-wax technique is used. It's the best, but also the most complex method of producing sculptures.

Related links:
ARA Kunst
Bronze casting
Lost-wax casting technique

The mold is usually taken directly from the original, so that the replica reproduces even the finest details. After casting the replica, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.

A replica of ars mundi is a recognizable image of the original.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

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