Maria-Luise Bodirsky:
2-Piece Sculpture "Tanzendes Paar", Bronze

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1.780,00 EUR

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ars mundi Exclusive Edition | Limited, 199 copies | Numbered | Signed | Bronze | Format 10 x 23 x 15 cm (W/H/D) | Weight 2 kg

http://www.arsmundi.com/

Maria-Luise Bodirsky: 2-Piece Sculpture "Tanzendes Paar", Bronze

The poet and philosopher Kahlil Gibran wrote "... and let the winds of the heavens dance between you". Maria-Luise Bodirsky created a sculpture consisting of two figures that invite you to play, to change and to experiment. Lead and be led, proximity and distance determine the success of common steps and life paths.

Sculpture in bronze. This limited edition of 199 copies is individually signed and numbered. Cast by hand using the lost-wax technique. ars mundi exclusive edition. Format 10 x 23 x 15 cm (W/H/D). Weight 2 kg

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*1952, Sculptor and Ceramist

Maria-Luise BodirskyMaria-Luise Bodirsky, born 1952, binds in her sculptures such basic elements as earth, water, fire and air. The clay is her elementary means of shaping, when she captures the inner and outer state of her figures, feels and portrays them.

Bodirsky receives inspiration from archaically charming artworks of the early history of humanity. The Egyptian high culture, the Greek mythology and the Old Testament as well as the modern literature, like works of Pablo Neruda, are the infinite source of her imaginativeness.

An alloy of copper with other metals (especially with tin) used since ancient times.

Bronze casting:

When casting bronze, artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.

Sculpture "The Book Reader" by Ernst Barlachs is shown here as an example:

Ernst Barlach: Sculpture 'The book reader'

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 1

First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber composition. Once the material has solidified, the model is cut out. The liquid wax is poured in the negative mould. After cooling down, the wax casting is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, and the wax flows out (lost mould).

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 2Now we finally have the negative form, into which the 1400 ° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture comes to light.

Ernst Barlach 'The Book Reader' - Lost Wax Casting Technique Part 3Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work

For lower-grade bronze castings, the sand casting method is often used which, however, does not achieve the results of more complex lost wax technique in terms of surface characteristics and quality.

Related links:
Sand casting

Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partner licensed by ars mundi.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

Designation for an art object (sculpture, installation), which is produced according to the will of the artist in multiple copies in a limited and numbered edition.

Artist's multiple contributed to "democratization" of art as the work was made available and affordable for a wider audience.

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