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Giovanni da Bologna: Sculpture "Bathing Venus", metal cast

Giovanni da Bologna:
Sculpture "Bathing Venus", metal cast

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335,00 EUR

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Museum replica | Metal and polymer cast | Patinated | Overall height 29 cm

http://www.arsmundi.com/

Giovanni da Bologna: Sculpture "Bathing Venus", metal cast

At ars mundi, we can present you one of the most beautiful works of Giovanni da Bologna as authentic museum replica the casting mould was taken directly after the original.

Giambologna shows the love goddess Venus with wavy hair, making a cult ritual of her drying. The graceful centerpiece statuette is a study for the famous sculpture in Boboli Garden, Firenze. Original: Bronze, Kestner Museum Hannover. ars mundi museum replica, hand-cast as metal cast with fine patina, on polymer base, overall height 29 cm.

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Giovanni da Bologna (1524-1608) called Giambologna was a master student of Michelangelo and the main representative of mannerism on the threshold between Renaissance and the early Baroque. His art presents the melting of influences of his motherland, Michelangelo’s works and antiquity. A lot of prominent masters, which came both from Italy and other countries studied in his workshop. The bronze and marble sculptures, as well as statues, made an important part of his works.

From 1544 to 1550 he was a student of Jacques Dubroeucq in Mons. A lot of other prominent masters, including some from Germany and his motherland Italy (Hans Reichel, Hubert Gerhard, Adriaen de Vries, Pierre Franqueville, Pietro Tacca and others) studied from that artist. The artist went to Florence and soon became the main sculptor at the Medici court.

The high nobility in the whole Europe tried to get some of his works in possession. The great number of works from the studio of Giambologna were unique. He was admitted to the Order of Christ by the Pope and was raised to the nobility by the emperor. Up to his death in 1608 he stayed at the service of Medici in Florence.

(Rebirth). Designation of art from about 1350 until the 16th century.

A state of mind that developed in Florence in the late 14th century that was retrospectively classified as rebirth of the classical ideals of Greek and Roman antiquity. During the 15th and 16th centuries, the Renaissance spread first over Italy and then all over Western Europe and determined the entire artistic creation. Such brilliant artists as Donatello, Leonardo da Vinci, Michelangelo, Raphael, Dürer, Holbein, Cranach and Fouquet created their immortal works by following the humanistic premises and putting a human being in the center of all thinking.

Renaissance experienced its heyday in literature through dramatic works and poems of William Shakespeare.

At the end of the 16th century, Renaissance had to make way to the luxury of baroque before its ideas had their rebirth in the classicism of the 18th century.

The mold is usually taken directly from the original, so that the replica reproduces even the finest details. After casting the replica, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.

A replica of ars mundi is a recognizable image of the original.

A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.

While sculptures from wood, ivory or stone are made directly from the block of material, for bronze casting a working model is prepared at first. Usually it is made of clay or other easily shaped materials.

The prime time of sculpture after the Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Also the contemporary artists, such as Jorg Immendorf, Andora, and Markus Lupertz enriched the sculpture with outstanding works.

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